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Saying that Agatha Christie is one of the greatest, most groundbreaking, and most important writers in the history of English-language literature would be quite an understatement. She’s the best-selling fiction writer of all time (outsold only by William Shakespeare and the Bible), the most widely translated author in history, and one of the most influential mystery writers of all time. Needless to say, Christie’s impact cannot be overstated.
Pretty much her entire bibliography, composed of 66 remarkable novels and 14 phenomenal short story collections, is worth checking out. There are ten books of hers in particular, however, that stand out way above the rest. From detective novels like A Murder Is Announced to her autobiography, these are the greatest Agatha Christie masterpieces, works that everyone even remotely interested in her ought to check out.
10
‘The Man in the Brown Suit’ (1924)
Colonel Race is one of Christie’s most iconic and memorable characters, a British Secret Service agent and Army officer who allied with Hercule Poirot—undoubtedly Christie’s best-known hero—in two novels. It was The Man in the Brown Suit that introduced him to the world, however; in that book, it’s only he who appears as a major supporting character.
Though many readers expecting a new Poirot novel were disappointed by The Man in the Brown Suit back in 1924, it has aged as one of Christie’s most underappreciated masterpieces 102 years after its publication. It’s a fun, fast-paced, and delightfully pulpy globe-trotting adventure that reads much differently than any of Christie’s better-known detective stories.
9
‘A Murder Is Announced’ (1950)
If there’s any one character deserving of being considered Christie’s most iconic after Hercule Poirot, it’s Miss Marple. Female sleuths had existed in mystery literature before her creation, but Miss Marple was an entirely new archetype, an investigative genius who weaponized her image as a “spinster” to get suspects to drop their guard around her. She appeared in 12 novels, one of the best being A Murder Is Announced.
It’s one of the best classic detective books of all time, promoted at the time as Christie’s fiftieth book. For such a landmark figure, the author came up with a psychologically sharp, ingeniously plotted gem of a book that has aged wonderfully as one of her best. The novel is full of surprises that take full advantage of the highly theatrical premise, resulting in a murder mystery that’s as entertaining as it is admirably well-written.
8
‘The A.B.C. Murders’ (1936)
One of Christie’s best-plotted and most creative novels, The A.B.C. Murders marked the 13th novel appearance of the beloved Hercule Poirot. Here, Christie perfected an inventive narrative resource that she had previously employed in The Man in the Brown Suit: a mixture of third-person and first-person narratives that allows the book to still read as one of her most distinct.
But far from just being structurally inventive, The A.B.C. Murders is also brilliantly subversive, shattering the classic whodunnit structure of a detective investigating a single isolated incident. Instead, it follows Poirot as he investigates a sequence of thematically unified murders. This novel approach makes it one of the most important and essential precursors of the traditional serial killer thriller genre.
7
‘Death on the Nile’ (1937)
Unrelated to Christie’s 1933 short story of the same name, Death on the Nile is yet another Poirot masterpiece. The thing that makes Christie’s best books—Death on the Nile most definitely included—undisputed masterpieces is that she was an absolute master of structure, pacing, misdirection, and characterization. There aren’t very many places where that mastery is clearer than here.
Anchored by an enrapturing atmosphere set in a strikingly described Egypt, Death on the Nile is undoubtedly one of the best crime books of all time. Whereas many whodunnits can end up feeling coldly mechanical, Death on the Nile is a tale about love and obsession, so Christie had to craft secondary characters and character dynamics that felt emotionally engaging. At that, she absolutely succeeded, and that’s what makes the book so unforgettable.
6
‘Crooked House’ (1948)
Though a solid portion of Christie’s oeuvre is composed of either Poirot or Miss Marple novels, she also wrote plenty of masterful standalone novels throughout her career, Crooked House being one of the best and most noteworthy. Suspenseful in its pacing and airtight in its plotting, it’s a fantastic way for those who want their introduction to Christie to be one of her less-mainstream books.
But even though Crooked House may not be Christie’s best-known novel, it sure is one of her very best. Full of brilliant red herrings and permeated with an air of darkness and cynicism not often seen in the author’s work, the book feels less like a lighthearted and mysterious puzzle, and more like an unsettling story about an irreparably dysfunctional family. It’s a genius subversion of the locked-house mystery that Christie specialized in.
5
‘Murder on the Orient Express’ (1934)
The most often-adapted Hercule Poirot mystery is Murder on the Orient Express, which is not only one of the best mystery books of all time, but also one of the most iconic. Originally titled Murder in the Calais Coach in the United States, this gem is probably Christie’s most iconic book, and that’s for good reason. After all, based on one of the most perfectly intriguing premises in the history of mystery literature.
It’s a brilliant subversion of the locked-room mystery setup in all sorts of delightful ways, culminating in one of the most fascinatingly unique resolutions in the history of murder mystery novels. Murder on the Orient Express is far more than just its rule-breaking plot twist; it’s a thoroughly exceptional psychological puzzle that only keeps getting better with age, regardless of whether you know the twist going in or not.
4
‘The Murder at the Vicarage’ (1930)
The Murder at the Vicarage was the first novel to feature Miss Marple, and it just so happens that it’s also arguably the best book featuring the character. One of the smartest and best-written murder mysteries ever to grace the printed page, it’s a classic example of the “cozy mystery” subgenre that Miss Marple helped revolutionize and redefine.
It’s not as big, loud, or spectacular (at least in terms of scope) a murder mystery as Christie’s better-known books. However, it’s so deliciously twisty in its character-driven plot and so perfect in how it cleverly uses the character of Miss Marple that it ends up being one of the author’s most uniquely human novels. Psychologically layered and making unexpectedly perfect use of Christie’s sharp (and often underappreciated) sense of humor, it’s one of the author’s biggest must-reads.
3
‘Agatha Christie: An Autobiography’ (1977)
It’s probably not the best place to start for those who have never read an Agatha Christie book, but for those who have read a couple and are at all interested in the person behind those literary masterpieces, Agatha Christie: An Autobiography is essential reading. It’s one of those non-fiction books that are still a must-read in 2026, an absolutely gripping retelling of the author’s fascinating life.
Proving that, even when not writing fiction, Christie was an author who adored nothing more than entertaining her reader, she doesn’t take the traditionally dry chronological approach to writing her autobiography. Rather, she approaches the book with such a natural flair and such a charming ability to turn even her most ordinary anecdotes into riveting stories that this should be considered a masterclass in how to write a compelling autobiography.
2
‘The Murder of Roger Ackroyd’ (1926)
It may not be the most iconic Hercule Poirot story, but The Murder of Roger Ackroyd sure is the best of the bunch. It’s one of those classic detective books that are perfect from the first page to the last, and since it was only the third novel ever to feature the Belgian detective, it was early proof that readers were witnessing the rise of one of fiction’s most iconic heroes. As the years have passed, bookworms have only grown fonder and fonder of Roger Ackroyd.
The book’s twist ending completely recontextualizes everything that came before and makes a reread pretty much instantly tempting, and even though it was a somewhat controversial conclusion back in 1926, history has been kind to it. Endings and the revelations they carry often make or break a mystery novel, and in the case of this one, it takes a book that was already perfectly written and turns it into an all-timer that’s endlessly fun to revisit.
1
‘And Then There Were None’ (1939)
There’s really no question about it: And Then There Were None, the Agatha Christie book that has been adapted for the screen the largest number of times, is the author’s very best. It’s probably no coincidence that it’s a standalone novel, making it a perfect entry point for those who have never read anything by the best-selling fiction author of all time. One of the most intense books ever written, this masterpiece is the best-selling mystery novel ever written and one of the best-selling books of all time in general.
Where can one even begin singing this absolutely perfect novel’s praises? It’s one of the most flawlessly plotted books ever written, regardless of genre. It’s fast-paced, immensely challenging to solve before Christie starts dropping answers, and at times even genuinely chilling. Ten strangers, no detective trying to rescue them, and no true voice of reason to make even the reader feel safe. It’s the pinnacle of not just Christie’s career, but the whole mystery book genre.
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Diego Pineda Pacheco
Almontather Rassoul




