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Sony WF-C710N: Two-minute review
Sony‘s WF-C710N earbuds find themselves in a similar spot to The White Album in 1968: you want to better the absolute barn-stormer that was Sgt. Pepper’s Lonely Hearts Club Band a mere year later? Good luck. But of course, the Beatles managed it (was it transcendental meditation, or was it simply a clean mind?). So, has Sony done the same with its update on the WF-C700N? Yes and no, Dear Prudence. And given that Sony actually had two years to work on its follow-up, that may not feel enough initially.
The model the C710N are based on topped our pick of the best noise-cancelling earbuds in the budget space for over a year following their release, until Nothing’s (a)-suffixed set of buds came in and did almost everything the Sony buds did just that little bit better – and looked slightly classier doing it. And although there are improvements here, a few in-app foibles and initial pairing issues left me struggling to find a reason to pick the Sony WF-C710N over the rivals… until I tested the ANC.
Here, Sony has truly upped its game. On a packed commuter train, I drifted off into my own happy bubble of music. I genuinely didn’t expect the blissfully quiet backdrop they served up. The uptick in ANC efficacy is almost certainly aided by the extra mic in each earpiece, but however Sony achieved it, it’s commendable.
Also, (because I’m still talking about those mics), call quality is very good for the money here, thanks to Sony’s new AI-enhanced voice pickup technology. So, if you regularly take calls on your earbuds, there’s an extra value add.
The overall sound profile and fit? It’s still good despite the size increase – but it’s not better than the outgoing model (Sony has essentially said that little about the driver and acoustic setup changed), so if you’ve picked up the older set for a discount, you may be tempted to stick with them unless you need that improved ANC.
In fact, other than the much-improved noise cancellation, it’s a case of incremental upgrades rather than anything headline-grabbing or ground-breaking.
Yes, there’s now a ‘Find Your Equalizer’ tab, but it works by asking you to pick from a selection of pre-made sound profiles rather than dishing out any otoacoustic tests or splodges to denote where your hearing might be lacking, unlike JBL’s Personi-Fi or Nothing Ear’s hearing tests (although it’s true that you have to pay a little more to get those). The two basic ‘Which do you prefer?’ tests offered by the WF-C710N don’t feel quite as comprehensive, detailed, or involved as those rivals.
Also back for 2025 is Sony’s entry-level DSEE upscaler, so Spotify streams will sound better, plus there’s that Sony-special 360 Reality Audio support. However, since Tidal parted ways with the format, your only source options for listening to this particular spatial-audio-adjacent offering now are Amazon Music Unlimited and Nugs.net.
Do I still like the new transparent blue colorway now that I’ve tested it? Not as much as I’d wanted to. The shiny plastic avidly collects fingerprint smudges, and at the risk of stating the bleedin’ obvious (as these cases have almost always been plastic, dear reader), this one feels overly plastic. It’s also a little bigger than the older model. That said, Sony’s more traditional matte black, off-white and pink colorways are available too.
For sound, there’s no addition of LDAC, but they’re still a solid listen with good volume and energy levels, albeit sacrificing a modicum of dynamic nuance, detail and sonic placement to get there. They’re still good for the level, but that’s my point, good is simply no longer great in budget 2025 noise-cancelling earbuds.
To really hammer it home: in 2023, when the WF-C710N’s predecessor made its grand entrance, earbuds bearing these kinds of features had never been seen at that level. But the competition really upped its game in the following 24 months, didn’t it? One can even buy inexpensive open earbuds with excellent ANC now (see the Honor Earbuds Open), something unheard of, even considered impossible, until very recently. So, the fact that these Sony earbuds fit well, boast slightly better stamina and offer auto-off isn’t quite enough to trounce the competition these days. But the ANC? If you prioritise noise-nixing, that’ll make up the difference…
Sony WF-C710N review: Price & release date
- Released on March 25, 2025
- Priced $119 / £100 / AU$189
Yes, Sony has won this territory before (see the April 2023-issue Sony WF-C700N I keep going on about), but that was before the excellent Nothing Ear (a) arrived, a year later in 2024.
The fact that Sony released these follow-up earbuds at the same MSRP as their older counterparts is welcome but unsurprising news: we’ve seen it with everything from AirPods to Bluetooth speakers. Why? Because competition is rife, and once-flagship tech (comprehensive ANC, wearer detection, EQ tweaks, spatial audio tech, customisable on-ear functions, and so on) keeps trickling down to entry-level products.
If you’ve done even a little research into this end of the market, you’ll know the current class leader is the Nothing Ear (a) mentioned above, with the insanely cheap $30 / £30 / AU$70 JLab Go Pop ANC or even the $69 / £59 / AU$110 (approx.) Earfun Air 2 NC not far behind.
So have the few extra perks offered by the new WF-C710N – slightly better battery, an auto-off feature, improved call quality, a rudimentary equalizer test and much better noise cancellation – trounced the Nothings? Depending on your priorities, yes, but it’s all about that last point…
Sony WF-C710N review: Specs
|
Drivers |
5mm |
|
Active noise cancellation |
Yes |
|
Battery life |
8.5 hrs (NC ON) / Max. 12 hrs (NC OFF); up to 30 hours with the case |
|
Weight |
5.2g per bud |
|
Connectivity |
Bluetooth 5.3, USB-C, Sony 360 Reality Audio, AAC, SBC |
|
Frequency range |
20Hz – 20kHz |
|
Waterproofing |
IPX4 |
|
Other features |
Sony Sound Connect companion app, ambient sound, wind-reduction mics |
Sony WF-C710N review: Features
- Dual noise sensor tech (feedback and feedforward mics) for ANC
- Auto-off is a welcome addition
- AI-enhanced voice pickup for clearer calls
Let’s start with the above bullet points: call-handling? It was good before, but it’s even better now. That’s thanks to the implementation of AI-enhanced voice pickup technology, which works a treat even on crowded, windy and rainy London Soho streets during rush hour (trust me on this one).
Wearer detection for auto-off is perhaps the biggest usability perk added this time around, which means music pauses when you remove one bud (or both) and resumes once you put it back in. It doesn’t sound like a big deal, but once you’re used to it, you’ll always be reaching for buds that can do it.
OK, so Sony’s 360 Reality Audio – 24 object-based channels arranged in a 360-degree soundstage (launched back in 2019) – isn’t the big ticket feature it used to be, since few streaming platforms support it and Tidal waved goodbye to its support in July 2024.
As noted, Sony’s Headphones Connect app is gone, but it’s been replaced by the Sony Sound Connect app. Adaptive Sound Control still takes the wheel as far as noise profiles go, optimized according to what you’re doing – yes, they know when you’re ‘Staying’. And although you can’t manually up the noise cancellation levels on the fly (although you can tailor the ambient awareness on a slider from 1-20), if you tap the cog under ‘Optimize switching for you’, you can tailor each sound profile according to your actions. So if you want Adaptive ANC to kick in on your commute, here’s how you do it.
That extra mic has paid dividends because the WF-C710N’s dual noise sensor tech (feedback and feedforward mics) provides much more robust noise-cancellation performance. On a packed train from London to Dorset, I was struck by how cocooned in my music I felt.
Any omissions worth mentioning? Although there’s multi-point to two devices now (you can toggle it off if you want, but why would you?), there’s still no LDAC support. Why mention this? Because the WF-C710N’s main rival, the Nothing Ear (a) do boast it.
Also, while there’s now a ‘Find Your Equalizer’ tab in the app, it’s a little basic compared to any hearing tests to create splodge-type graphs of your hearing profile you might have tried. Essentially, playing your choice of music, there are five profiles to pick from, and then a further four based on your initial pick. It’s more than the older model offered, but given the lengths the competition is going to these days (see JBL, Nothing and Denon to name a few, and, of course, the AirPods Pro 2, for a surcharge), it feels a little basic. Yes, the WF-C710N are budget earbuds, but the Nothing Ear with their lengthy hearing tests are roughly the same price now…
Sony WF-C710N review: Sound quality
- Agile, fun, energetic listen
- Minor treble distortion if we’re being picky
- LDAC would be a great addition
The sound, as with the older option, is good for the money, but there are incremental gains to be had here. The opening keys in Grian Chatten’s All of the People are textured and three-dimensional. There’s a human quality to the depressing of each key that most entry-level earbuds cannot convey through the upper midrange.
Out of the box, the older WF-C700N feel just a little congested and treble-centric in direct comparison – although it took me a while to set up this comparative test, since once paired to either set of buds, my phone flat-out refused to pair to its siblings, and I’m still unsure why. Anyway, the Beatles’ Helter Skelter is a great test of the stereo imaging, and with the C710N, drums sit dutifully in my right ear (until the fill, when the kick drum darts between each ear) as the driving bass sits in my left concha with pinpoint precision.
In more layered, complex and groove-heavy tracks (Michael Jackson’s Billie Jean, for instance), timing and musicality are bang on across the frequencies. I can detect a minor shortfall in dynamic nuance to get all of that exuberance and volume – these are loud and proud earbuds, and for the most part, that’s great news. There’s just a small compromise to be made in the leading edges of lower-mids and bass notes, and just a shred of distortion through the treble, very occasionally.
Look, I’m nitpicking – and I’m better able to do it because the noise cancellation here provides such a glorious backdrop. Of course, you can tweak the sonic curve to your liking in the Sound Connect app, but it’s important to note that, by default, these are zealous, unafraid earbuds. Compare them to the excellent Technics EAH-AZ100 and you’ll get a greater rise and fall through each pensive, building musical passage in Dom Sigales’ The Ghost is Me, with exhalations of breath, jagged keys, and waves of strings given an extra ounce of due diligence to be impactful. It’s hardly a fair test given the price difference (the EAH-AZ100 retail for $299 / £259 / AU$479), but it’s important to note that the sound is very good here for the money, rather than just very good, period.
- Sound quality score: 4.5/5
Sony WF-C710N review: Design
- Bigger but still ergonomic earpieces
- Case is a little bigger – and a little cheap?
- Capacitive touch controls aren’t very customisable
These are still some of the most comfortable earbuds I’ve had the pleasure of wearing (besides the aforementioned Technics), even though the buds and case are bigger this time around. While 4.6g to 5.4g may not sound like much of a size increase, it is noticeable. Given that the WF-C700N really were small, that’s perhaps not such a bad thing, depending on your ears.
I still found them easy to fit. That said, the shinier plastic of my glass blue colorway did affect the in-ear security, and the right one fell out on a train. I don’t think the fit was an issue, as they feel beautifully weighted and slipped easily into my ears with very little work. I think I just need a more matte, brushed plastic finish – and that is available.
One potential bone of contention is the case: it’s bigger – well, deeper – than the older WF-C700N case, and it feels a shade off high-end. Do I love the transparent finish? I’m not sure. Seeing the little red, yellow and black cables under the casework is novel, but the overall aesthetic feels a bit (dare I say it) cheap and cheerful, compared to the way Nothing has implemented transparent sections within its earbuds design language.
And the physical button is gone. I liked it, but it seems I’m in the minority. And to be honest, the new touch capacitive sensor is aided by a slightly larger concave top plate to help your finger find it, and it works fairly reliably.
My main gripe with this? You can now control volume in addition to playback, sound modes, and access to a virtual assistant, but a little more scope for customisation on what each tap does would be a huge bonus. Right now, the only way to up the volume a little is a quadruple press on the right earbud, and a quadruple press on the left lowers it just a tad. As you can probably imagine, these constant quick presses are hit-and-miss. Ah, well – and it hurts your tragus and external auditory meatus (the bit right before your ear canal) a little, after a while.
Sony WF-C710N review: Value
- For ANC, there’s real value-for-money here
- 360 Reality Audio isn’t the draw it once was – LDAC would be excellent
- Nothing’s products look and feel more premium
Before the Nothing Ear (a) arrived, with their LDAC and great audio quality, I’d have no issue recommending the Sony WF-C710N above all else. But times have changed. Nothing’s earbuds are here, and they are impossible to ignore.
The design of the Sony WF-C710N is fine rather than groundbreaking, and the feature set is good, although 360 Reality Audio support is not the big draw it once was.
Then again, here I sit at our shared table-slash-desk, my partner hitting the keys of his MacBook Pro keyboard heavily, because he’s under a tight deadline and is stressed. Can I hear him? Not really. And there’s the value, folks – because I’ve never heard ANC this good for this money…
Should I buy the Sony WF-C710N?
|
Section |
Notes |
Score |
|---|---|---|
|
Features |
Auto-off is a lovely addition – LDAC would be even better |
4.5/5 |
|
Sound quality |
Energetic and zealous, with just a minor shortfall in dynamic nuance |
4.5/5 |
|
Design |
A little bigger and a little slippier – but still good |
4/5 |
|
Value |
ANC top of your list? Have at ’em |
4.5/5 |
Buy them if…
Don’t buy them if…
Sony WF-C710N review: Also consider
| Header Cell – Column 0 |
Sony WF-C710N |
Nothing Ear (a) |
Sony WF-C510 |
|---|---|---|---|
|
Price |
$119 / £100 / AU$189 |
$99 / £99 / AU$192 |
$59.99 / £54.99 / AU$109 |
|
Drivers |
5mm dynamic |
11mm custom driver |
6mm dynamic |
|
Active noise cancellation |
Yes |
Yes |
No |
|
Quoted battery life |
8.5hrs (ANC on) 12hrs (ANC off) plus a total of 30 hours in the case |
5.5hrs (9.5hrs without ANC) 24.5hrs total with case (42.5hrs without ANC) |
11 hours (buds) 11 hours (case) |
|
Weight |
5.2g per earpiece |
4.8g per earpiece |
4.6g per earpiece |
|
Connectivity |
Bluetooth 5.3, USB-C (SBC, AAC) |
Bluetooth 5.3, USB-C (LDAC, SBC, AAC) |
Bluetooth 5.3, USB-C (SBC, AAC) |
|
Frequency range |
20Hz – 20kHz |
20Hz – 20kHz |
20Hz – 20kHz |
|
Waterproofing |
Yes, IPX4 |
Yes, IP54 buds (IPX2 case) |
Yes, IPX4 |
|
Other features |
Sony 360 Reality Audio, basic EQ test, auto-off |
3 mics per bud, Custom EQ, Bass Enhance, Find My Earbuds, fit test |
Sound Control for ambient awareness |
How I tested the Sony WF-C710N
- Tested for two weeks, compared against the Sony WF-C700N and Technics EAH-AZ100
- Used in the office, walking through London, on a train, and at home
- Listened to Apple Music Lossless tracks, Qobuz, Deezer and Spotify on an iPhone 12 Pro and a MacBook Pro
As always when testing portable earbuds, the Sony WF-C710N became my musical companions for two weeks – after a thorough 48-hour run-in period.
They accompanied me to work (walking brusquely to Weymouth station at an ungodly hour; boarding a train to London Waterloo; and at the office – yes, I really do this) and throughout a long weekend at Seaham, collecting sea glass from the stunning County Durham shoreline.
To better test the comfort and battery life claims of the Sony WF-C710N, I wore them throughout the working day on numerous occasions – and as you can see from the above over-share, my working days can be long.
To get through it all, I listened to various playlists (spanning everything from Korn to Dom Sigalas) on Apple Music and Tidal, but also to podcasts and albums on Qobuz and Deezer – and YouTube tutorials (mostly about making music on Cubase and using Cakewalk, since you ask) from my MacBook Pro.
I’ve been testing audio products for well over five years now. As a dancer, aerialist and musical theater performer in another life, sound quality, fit and user experience have always taken priority for me personally – but having heard how wonderful ANC can be when done well, I know what to look for.
- First reviewed: April 2025
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becky.scarrott@futurenet.com (Becky Scarrott)
