For over ten years, Matt and Ross Duffer had been immersed in the world of Stranger Things. From writing the early scripts to shopping the show to potential streaming services and eventually delivering a hit, a good portion of their lives was dedicated to that one series. Stranger Things concluded several months ago, allowing the brothers to focus on other projects. The duo were executive producers on the recently released horror series Something Very Bad is Going to Happen, in addition to executive-producing the upcoming Stranger Things animated spin-off series Tales from ’85. Meanwhile, the duo is also dipping their feet back into sci-fi with a new series premiering next month.
Titled The Boroughs, the eight-episode sci-fi series trades the young characters of Stranger Things for a more mature ensemble and a more mature setting. “In a seemingly perfect retirement community, a grieving newcomer’s monstrous encounter inspires him to join a misfit crew of unlikely heroes who uncover a dark secret that proves their ‘golden years’ are more dangerous, and they are more formidable, than anyone expects,” the show’s official description teases. The series has assembled a capable cast that includes Alfred Molina (Sam), Geena Davis (Renee), Alfre Woodard (Judy), Clarke Peters (Art), Denis O’Hare (Wally), and Bill Pullman (Jack), among others.
The Duffer Brothers are executive producers on The Boroughs, and while the characters are not what their fans are used to, the duo promises they’re just as endearing. “While the heroes in The Boroughs have a few more years on them than the kids from Stranger Things, they are a similarly lovable bunch of misfits, and we can’t wait for you to join them on an adventure that is at turns scary, funny, and deeply touching,” they said in a statement.
Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
🏜️Dune
🚀Star Wars
01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
What Else Are the Duffer Brothers Working On?
Matt and Ross previously confirmed that they have ideas they’re working on bringing to life, but they might not be at Netflix. They are set to depart the streaming service for an exclusive four-year deal with Paramount. “When Matt and I were talking about what we want to do next, it really came down to we wanted to do a movie, specifically an original movie — a big original film,” Ross said when asked why they were moving. “And theatrical is so important to us.” They are yet to reveal what projects they will be releasing under Paramount, however.
All episodes of The Boroughs hit Netflix on May 21, 2026. Stay tuned to Collider for more updates.
Release Date
May 21, 2026
Network
Netflix
Directors
Augustine Frizzell, Kyle Patrick Alvarez, Ben Taylor
