Not every Western-leaning thriller gets its flowers right away. Let Him Go had strong reviews and a great cast when it first came out, but it never became one of those movies people talked about nonstop. Netflix is changing that a bit now. The Kevin Costner drama has quietly become one of those “wait, this is actually really good” streaming finds.
The film is currently available on Netflix in some territories and has been highlighted as one of Costner’s stronger streaming performers in recent coverage. Based on the Larry Watson novel, it follows a retired sheriff and his wife as they try to rescue their grandson from a dangerous family.
The full main cast of Let Him Go includes Costner as George Blackledge, a retired sheriff; Diane Lane as Margaret Blackledge, his fiercely determined wife; Kayli Carter as Lorna Blackledge, their widowed daughter-in-law; Lesley Manville as Blanche Weboy, the terrifying matriarch of the Weboy family; Will Brittain as Donnie Weboy; Jeffrey Donovan as Bill Weboy; Booboo Stewart as Peter Dragswolf; and Bradley Stryker as Sheriff Nevelson.
Collider Exclusive · Taylor Sheridan Universe Quiz Which Taylor Sheridan Show Do You Belong In? Yellowstone · Landman · Tulsa King · Mayor of Kingstown
Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.
🤠Yellowstone
🛢️Landman
👑Tulsa King
⚖️Mayor of Kingstown
01
Where does your power come from? In Sheridan’s world, everyone has leverage. The question is what kind.
02
Who do you put first, no matter what? Loyalty in Sheridan’s universe is always absolute — and always costly.
03
Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.
04
Where do you feel most in your element? Sheridan’s worlds are as much about place as they are about people.
05
How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.
06
What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they’re defending.
07
How do you lead? Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.
08
Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.
09
What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal.
10
When it’s over, what do you want people to say? Sheridan’s characters all know the ending is coming. The question is what they leave behind.
Sheridan Has Spoken You Belong In…
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
🤠 Yellowstone
🛢️ Landman
👑 Tulsa King
⚖️ Mayor of Kingstown
You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
Is ‘Let Him Go’ Worth Seeing?
Collider’s review stated that Let Him Go is the kind of smart, adult thriller Hollywood does not make enough anymore. It starts as a quiet family drama about grief and loss, then slowly turns into something darker and more dangerous as a retired sheriff and his wife set out to save their grandson from a violent family. It moves at a slower pace than the trailer might suggest, but that patience gives the movie much more weight.
“Stories like this also need time to breathe. Its heroes aren’t 30-year-old superheroes, but a couple of grandparents who operate a ranch in Montana. This is a sensitive vigilante tale, and despite a fiery third act, you have to realize that it’s a slower burn than the action movie promised by its trailer. I watched Let Him Go twice in one setting with two completely different audiences — a couple in their 30s and a couple in their 60s, and there’s no question that it appeals to an older crowd. Once you know that going in, I think you’ll better appreciate the surprising emotion this film has to offer beneath its slick, suspenseful surface.”
