Henry Cavill fans have a lot to look forward to this year, and it all starts next month with the release of In The Grey. The action-adventure thriller from director Guy Ritchie is a long time coming — production on the film wrapped all the way back at the end of 2023. Still, it was hit with multiple delays before finally settling on May 15 as its official release date. Cavill is also hard at work filming his new sci-fi/fantasy reboot, Highlander, which is being directed by Chad Stahelski. Collider was first to report Russell Crowe’s involvement in Highlander. While he had been oddly tight-lipped about the project over the last year, he recently came out with a stunning transformation, showing himself getting back into Gladiator shape to star opposite Cavill.
Cavill will always be best known for his role as Superman in Zack Snyder’s DCEU, but there is another role he’s occupied multiple times already that he isn’t done with. Cavill first suited up as the legendary British detective, Sherlock Holmes, in the 2020 Netflix original detective thriller, Enola Holmes, which follows Sherlock’s younger sister who sets out to find her mother after she goes missing. The film was led by Millie Bobby Brown, best known for her long-time role as Eleven in the Stranger Things series. Netflix ushered fans back to the world of Enola Holmes just two years later with the sequel, Enola Holmes 2, which returned both Cavill and Millie Bobby Brown. Netflix has been working on a third Enola Holmes movie for years now, and news finally broke this afternoon that the film will begin streaming this summer on July 1.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
What Is ‘Enola Holmes 3’ About?
Netflix has only released a brief synopsis for Enola Holmes 3, which reads as follows:
“Adventure chases detective Enola Holmes to Malta, where personal and professional dreams collide in a case more tangled and treacherous than any she has faced before.”
In addition to Millie Bobby Brown and Henry Cavill, Enola Holmes 3 also stars Himish Patel, Louis Partridge, Helena Bonham Carter, and Sharon Duncan-Brewster. Jack Thorne is writing the script, with Philip Barantini directing. More details about Enola Holmes 3 will likely come around four to six weeks before its premiere, when Netflix debuts the first trailer for the film.
Check out the first two Enola Holmes movies on Netflix and stay tuned to Collider for more updates and coverage of Enola Holmes 3.
