10 Greatest Movies of 2016, According to Rotten Tomatoes



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While we are now a full decade from the beginning of 2016, it still feels like yesterday for many people around the world, as the events and prospects of 2016 proved to be some of the most prominent, groundbreaking revelations of world culture. One specific part that amplified the effect of 2016 on wider culture were the various films released during the year, ranging from massively celebrated critical darlings to some of the biggest and most successful films of the 21st century.

What is interesting to look back on is which films stood at the absolute height of critical acclaim in 2016, with the then-highest rotten tomatoes scores and overwhelming appreciation from critics. Due to not being able to include every critical hit, this list is surprisingly missing several icons of 2016 cinema, including Split, Captain America: Civil War, and La La Land, as it speaks more to the year’s biggest crowd-pleasers and widely accepted critical darlings.

10

‘Moana’

Baby Moana touches the water in Moana (2016)
Baby Moana touches the water in Moana (2016)
Image via Disney

Easily standing out as one of the defining original musical masterpieces from Walt Disney Animation Studios in the 21st century, Moana’s mixture of striking and groundbreaking animation with bundles of personality and charm quickly made it a fan-favorite film of the entire studio. Praise and appreciation for this film has only grown that much more in the decade since its release, to the point where it continues to be one of the most streamed movies of all time and received both a sequel and an upcoming live-action remake.

Moana is emblematic and symbolic of the highest highs that Disney has achieved in recent memory, continuing to push the studio forward with its continued success long after its release. As such, it isn’t particularly surprising that a film of such overwhelming staying power made such an impact on critics when it first released, standing as one of Disney’s shining beacons of cinematic greatness, much like their exceptional films from their golden and renaissance eras.

9

‘Manchester by the Sea’

Manchester By the Sea’ (2016)  (1)

An absolute tearjerker of a film that isn’t afraid to delve into some incredibly dark and difficult territory with its storytelling, Manchester by the Sea achieved unanimous praise thanks to its grounded and extremely potent emotional storytelling. Its story of a reclusive older brother returning home to face his demons following a tragic death in the family does just about everything one would want out of a compelling, R-rated drama. The film’s Academy Award wins for Best Actor and Best Original Screenplay further cemented its status as one of 2016’s greatest filmmaking achievements.

Praise and appreciation from critics for Manchester by the Sea technically lasted the entire year, as its early premiere at Sundance allowed for conversation and reputation to build-up towards the film throughout the year until its eventual release at the end of the year. Its masterclass exploration of emotional grief continues to make it a defining masterclass of the era and one of the absolute best films not just of 2016, but of the entire 2010s.

8

‘Kubo and the Two Strings’

Kubo and the Two Strings Image via Universal Pictures

Standing as arguably the magnum opus from already legendary stop-motion animation studio LAIKA, Kubo and the Two Strings sees the studio at the absolute height of their abilities in terms of mesmerizing visuals mixed with captivating, layered storytelling. Even today, the film continues to stand as one of the absolute greatest claymation films to have ever been released, pushing the very method of animation to its absolute limits with sheer perfection exuding from every frame of fine-tuned animation.

The exceptional craft alone was enough to make the film an absolute fan-favorite in the eyes of critics, feeling like the culmination of nearly a decade of masterful filmmaking from LAIKA transformed into a striking cinematic epic. It’s a celebration of the very strengths and weight that storytelling can hold over a communicating, while at the same time playing out like a timeless fairy tale epic with its mixture of mystical creatures and an impactful battle of good vs. evil and the intricacies behind the truth of it all.

7

‘Finding Dory’

Young Dory and her parents cuddling in Finding Dory.
Young Dory and her parents in Finding Dory.
Image via Walt Disney Studios Motion Pictures

It’s rare that a Pixar film isn’t overwhelmingly appreciated and loved by critics, especially during the 2010s, so it isn’t exactly surprising that the long-awaited sequel to Finding Nemo, Finding Dory, was overwhelmingly praised and appreciated by critics of the era. What’s interesting is that, while its score was high enough to earn the film a spot in the top 10 of 2016, its staggering 94% on Rotten Tomatoes puts it right outside the top half of Pixar’s filmography at #16 of 30.

This isn’t to say that Finding Dory is a bad film, far from it in fact, as it features a lot of the same inherent strengths and emotional moments of the all-time great Pixar films. The film even stands out as one of the most well-received non-Toy Story sequels in Pixar history, although it undeniably doesn’t have nearly the staying power or continued legacy that the all-timer original film has had, now standing a decade removed from its release.

6

‘Love & Friendship’

Kate Beckinsale, Justin Edwards, Emma Greenwell, and Morfydd Clark in Love & Friendship (2016)
Kate Beckinsale, Justin Edwards, Emma Greenwell, and Morfydd Clark in Love & Friendship (2016)
Image via Amazon Studios

Easily the most obscure of the films that made Rotten Tomatoes top 10 list of 2016, Love & Friendship‘s delightful execution of a classic period drama setup out of the classic Jane Austen novella made it the type of film that critics just absolutely fawn over. The film largely follows the plot of the original novel, seeing a cunning young woman (Kate Beckinsale) in her calculating plots and exploits to secure suitably wealthy husbands for both herself and her daughter.

What’s even more interesting compared to every other film that was among the highest-ranking films from 2016 on Rotten Tomatoes is that Love & Friendship does not have nearly the same appreciation from audiences as it did from critics. The audience score stands at a much lower 59%, as general audiences and rotten tomatoes users aren’t nearly as receptive to the prospects of a classic period drama as critics of the era were.

5

‘The Jungle Book’

The Jungle Book (2016) Image via Disney 

Still standing as arguably the best live-action remake to come from Disney, The Jungle Book stands much taller than many of the other live-action remakes that floundered in the eyes of critics by actually building and improving upon the Disney classic in terms of its narrative. It weaves a greater story of manmade influence and danger over the jungle creatures that makes its story much more dynamic than the loose musical whims of the original, resulting in its overwhelming praise by the critics of 2016.

Even as live-action Disney remakes continue to be middling to downright lackluster at best in the years to follow, The Jungle Book still stands as a well-crafted cinematic evolution of the classic story, truly exemplifying what could be possible with adapting such an all-time classic to live-action. It isn’t without its issues, but there’s enough greatness within the film to make it an enjoyable time for the vast majority of critics and audiences alike.

4

‘Moonlight’

Two teenagers sit together with a city in the background in Moonlight.
Two teenagers sit together with a city in the background in Moonlight.
Image via A24

2016’s eventual Best Picture winner and the overwhelming choice by many as the greatest filmmaking achievement of the year, Moonlight‘s masterclass of drama and self-reflection told across three distinct eras of a man’s life has redefined and amplified the greatest strengths of modern independent filmmaking. It’s a film whose very perfection speaks for itself, as the mixture of an emotional, layered story with top of the line performances has made it one of the defining masterpieces of the 21st century.

What’s more surprising is not that the film earned a spot on this list, but that it only made #4 and that there were 3 other films from 2016 that had higher Tomatometer scores at the time. More than any other film on this list, it’s safe to say that Moonlight has had the largest and most celebrated legacy, standing the test of time in the decade since its release as an absolutely perfect coming-of-age film and one of the most important movies of the 21st century.

3

‘Arrival’

Amy Adams as Dr. Banks stands in mist as two large aliens with spider-like limbs release a ring of black smoke around her in Arrival.
Amy Adams as Dr. Banks stands in mist as two large aliens with spider-like limbs release a ring of black smoke around her in Arrival.
Image via Paramount Pictures

A layered and non-traditional sci-fi thriller from legendary filmmaker Denis Villeneuve, Arrival‘s mixture of striking imagery and abstract concept made the film an absolute smash hit for critics of the era, with the film continuously being in the conversation of the best original sci-fi films of recent memory. It utilized an exceptional mystery combined with top-notch performances and striking imagery to create a fully distinct and original sci-fi story that is still unlike anything else that the genre has to offer.

The story is as much about the human experiences and emotional weight of its characters as it is about the communication and impact of the aliens that land on earth, with its layered themes and phenomenal performances only further amplifying the impact and weight of said story. As Villeneuve continued to cement his status as a modern icon of sci-fi filmmaking in the years to follow, the ingenuity and brilliance of Arrival continues to leave a greater and greater legacy.

2

‘Hell or High Water’

Chris Pine as Toby resting against a fence and looking ahead in Hell or High Water.
Chris Pine as Toby resting against a fence and looking ahead in Hell or High Water.
Image via Lionsgate

The western genre is one that had gone massively unexplored within the 2010s as a decade. However, Hell or High Water stands as one of the striking exceptions to the rule that actively pushed the genre forward as the defining western masterpiece of the 21st century. This modern western crime drama sees two brothers (Chris Pine and Ben Foster) embarking on a dangerous mission in order to save their family ranch, as they set out to commit a series of bank robberies while being pursued by two Texas Rangers (Jeff Bridges and Gil Birmingham).

Hell or High Water does more than simply play to the classic strengths of the Western genre that critics and audiences alike have missed for so long, but it elevates and transforms these classic conventions into a striking, high-tension crime drama with exceptional execution. It’s a love letter to the genre that also stands on its own and doesn’t have to rely on the genre for its strengths, creating an experience that critics simply couldn’t get enough of when the film premiered at Cannes and continued to love when it had its wide release.

1

‘Zootopia’

Judy and Nick wait as Flash looks to the camera
Judy and Nick wait as Flash looks to the camera
Image via Walt Disney Studios Motion Pictures

It’s rare that one of the highest grossing films in a given year also happens to be the highest rated in the eyes of critics, but Zootopia found that absolute perfect mixture of charm, comedy, and then topical commentary that made it a complete package for critics and audiences alike. Even today, Zootopia is still the #2 highest rated theatrical Disney film out of their entire 76 film history, continuing to hold a spot as Disney’s most recognizable and highly acclaimed film since the Renaissance era.

If the film were only defined by its cutesy animals and the charm of its premise, it wouldn’t have nearly the critical reception and staying power that it has had, as its upbeat buddy cop style and dynamic themes of prejudice have given it a timeless staying power long after its initial release. The film surpassed all expectations and was a wildly fun, self-aware joyride for critics, with a legacy that continues to grow year after year, especially after the recent release of its long-awaited sequel, Zootopia 2.































































Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.


zootopia-movie-2016-poster.jpg


Zootopia


Release Date

March 4, 2016

Runtime

108 Minutes


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Robert Lee III
Almontather Rassoul

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