8 Must-Watch Forgotten Romantic Movies, Ranked



[

The romance genre is one filled to the brim with cinematic masterpieces. From classic rom-coms like It Happened One Night to modern dramas like the Before Trilogy, several of the greatest films of all time happen to be stories of love, heartbreak, courtship, and fiery passion. But while many romance masterpieces go down in history as quintessential examples of the genre, some others end up slipping under most people’s radar.

It’s a tragedy when a romantic movie that deserves to be counted among the greatest ever made ends up being forgotten. Of course, saying that these films have been “forgotten” is a bit of an dramatization of reality, since these niche masterpieces are bound to be remembered by at least a few hundred cinephiles around the world; but the fact of the matter is that those aren’t nearly as many fans as these exceptional motion pictures deserve.

8

‘The Green Ray’ (1986)

Vincent Gauthier and Marie Rivière in 'The Green Ray' Image via Les Films du Losange

Directed by Éric Rohmer, one of the greatest and most important French filmmakers in history, The Green Ray follows Delphine, who has nowhere to go for the summer. Feeling bored and empty, she one day ends up meeting someone who seems to be tailor-made for her. Released in North America as Summer, the film is based on the book of the same name by the legendary Jules Verne.

A delightful dramedy whose thematic exploration of love and loneliness feels just as timely today as it did back in its day.

The French New Wave ended around the early 1970s, but essential exponents of the movement like Rohmer continued making films reflecting the movement’s trademark style for many years after its ending. Case in point: The Green Ray, a delightful dramedy whose thematic exploration of love and loneliness feels just as timely today as it did back in its day.

7

‘Joyland’ (2022)

Joyland
Joyland
Image Via Film Constellation

The filmography of Pakistan is full of masterpieces that are criminally underappreciated outside their country of origin, many of them romance films, none of them better than Joyland. Saim Sadiq‘s feature directorial debut, this coming-of-age dramedy is about the youngest son in a traditional Pakistani family, who takes a job as a backup dancer in a Bollywood-style burlesque and becomes infatuated with the trans woman who runs the show.

Beautifully profound and refreshingly progressive in its boundary-breaking portrayal of gender roles, sexuality, and the patriarchy in South Asian society, Joyland is simultaneously bittersweet and unexpectedly humorous. It’s one of the most emotionally honest and most complex Asian romance films of the 21st century as a whole, an awfully underrated gem that a lot more people should check out.

6

‘To Live’ (1994)

To Live - 1994
To Live – 1994
Image via The Samuel Goldwyn Company

The 1990s were far and away one of the greatest decades for cinema in the art form’s history, and 1994 was a particularly strong year for motion pictures around the world. But while Hollywood productions like Forrest Gump and Pulp Fiction were showered with praise, other films that are every bit as flawless—such as Zhang Yimou‘s Chinese drama To Live—fell into oblivion. The story spans around three decades, following a family’s story of survival throughout the Chinese history that transpired between the ’40s and ’70s.

It’s one of the most near-perfect 20th-century war movies that nobody remembers anymore, a truly gut-wrenching drama that achieves an astonishingly epic feeling of scope and scale despite only running for a little over two hours, a shockingly brief runtime for a film of this size. Nuanced, emotional, and politically sharp, it’s a must-see not just for those who enjoy Chinese cinema, but for all those who love the romance genre.

5

‘The Lovers on the Bridge’ (1991)

Denis Lavant lying on Juliette Binoche's lap while she sits on the floor in The Lovers on the Bridge
Denis Lavant lying on Juliette Binoche’s lap while she sits on the floor in The Lovers on the Bridge
Image via Gaumont

The Lovers on the Bridge was written and directed by Leos Carax, perhaps the French auteur who has been most important to cinematic surrealism throughout history. Every bit as poetically and romantically surreal as one would expect from a Carax piece, Lovers on the Bridge is about Alex, an alcoholic living on the streets, and Michèle, who’s losing her sense of sight. They form a relationship while sleeping on a bridge in Paris.

It’s one of the most anxiety-inducing romance movies in history, perfect for those who love watching love stories with a hearty side serving of nail-biting stress. But despite its grim intensity, what sets Lovers on the Bridge apart is just how tremendously full of heart it is, with some gorgeous visuals and a pair of exceptional performances by Juliette Binoche and Denis Lavant.

4

‘The Life and Death of Colonel Blimp’ (1943)

An old man in a military uniform in Life and Death of Colonel Blimp
An old man in a military uniform in Life and Death of Colonel Blimp
Image via United Artists

Though it’s typically films not in the English language that end up being forgotten by the majority of the world over time, there are also plenty of romance masterpieces in English that have gone awfully underappreciated through the years. For instance, the British war drama and epic romance The Life and Death of Colonel Blimp, a nearly three-hour-long satire which many critics would confidently call one of the greatest British films in history. It follows Clive Candy, a British soldier, as he rises through the military’s ranks.

At the very least, The Life and Death of Colonel Blimp is one of the best classics of 1943, a brilliant film made during World War II whose subtle satirization of the British Army has aged beautifully. It’s endlessly charming, profoundly moving, and admirably ambitious, transcending the war propaganda of its era to instead deliver a sweeping epic about humanity, aging, and friendship. Not many films made during this time, from the United Kingdom or elsewhere, were ever this great.

3

‘A Special Day’ (1977)

a-special-day-sophia-loren-marcello-mastroianni
Sophia Loren and Marcello Mastroianni in A Special Day
Image via Gold Film

Starring Sophia Loren and Marcello Mastroianni, two of the greatest acting legends in the history of European cinema (who here deliver some of their greatest work ever), A Special Day is an Italian-Canadian period drama that’s among the most underrated films of the 1970s. It’s the story of two neighbors, a persecuted journalist and a resigned housewife, who meet during Hitler’s visit to Italy in May of 1938.

But while Loren and Mastroianni are undeniably the main attraction here, by no means are they the only thing that A Special Day has going for it. With a well deserved rating of 100% on Rotten Tomatoes, the film explores themes of gender roles and fascism in ways that still feel horrifyingly relevant nowadays. It’s queer cinema at its most powerful, a rousing character piece so hard-hitting that it’s impossible to watch it and not be deeply affected by it.































































Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

2

‘The Cranes Are Flying’ (1957)

The Cranes Are Flying - 1957 (1) Image via Mosfilm

There are plenty of great films from countries that no longer exist, but there’s one particular former nation that has one of the strongest filmographies of any country in history, and that’s the Soviet Union. For proof, one needn’t look much further than Mikhail Kalatozov‘s The Cranes Are Flying, a political drama and romantic tragedy about a woman who plans a rendezvous with her lover at the bank of a river, only for him to be crafted into WWII shortly after.

Winner of the Palme d’Or at the 1958 Cannes Film Festival, The Cranes Are Flying proved tremendously influential for Soviet cinema going forward, and it’s still one of the highest-rated Soviet movies in history on both Letterboxd and IMDb. Poetically directed, visually gorgeous, politically and thematically confident, and irresistibly poignant, it’s perfect for all those who love stories about doomed love.

1

‘A Brighter Summer Day’ (1991)

A Brighter Summer Day - poster - 1991
A young boy and girl sitting by a tree in the poster for A Brighter Summer Day (1991)
Image via Cine Qua Non Films

Edward Yang was one of the greatest and most groundbreaking Taiwanese auteurs in the history of cinema, an essential voice for the New Taiwanese Cinema movement. The question of what his magnum opus is may elicit many answers, but one is bound to come up more than most: the four-hour-long coming-of-age epic A Brighter Summer Day. Based on a true story, it’s about a conflict between two youth gangs, and about a 14-year-old boy’s girlfriend who conflicts with the head of one gang.

It’s easily one of the most perfect romantic movies of the last 40 years, though it’s most definitely an unconventional one. But while its long runtime and its remarkably slow-burning sense of pace may be daunting for those who don’t usually love arthouse romance, those who do are guaranteed to come out on the other side of A Brighter Summer Day as changed people. Youthful, emotional, politically charged, and gorgeously directed, it’s one of the greatest masterpieces in the history of 20th-century romantic cinema, even if most mainstream cinephiles don’t typically know anything about it.

https://static0.colliderimages.com/wordpress/wp-content/uploads/2026/06/a-special-day-sophia-loren-marcello-mastroianni.jpg?w=1600&h=900&fit=crop
https://collider.com/must-watch-forgotten-romantic-movies-ranked/


Diego Pineda Pacheco
Almontather Rassoul

Latest articles

spot_imgspot_img

Related articles

Leave a reply

Please enter your comment!
Please enter your name here

spot_imgspot_img