The Most Perfect Movie of Every Genre in the 2020s So Far



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The 2020s have brought many great films, from popular blockbusters to beloved independent movies. Despite the challenges caused by the COVID-19 pandemic, the film industry has produced many outstanding works so far.

Each genre has at least one exceptional film this decade, and these films are becoming modern classics. Although it’s tough to pick the best film in each genre, the highlighted films stand out because of their quality and popularity. Even though the decade isn’t over, here are the most perfect movies of every genre in the 2020s so far.

‘The Substance’ (2024)

Horror

Elisabeth Sparkle, played by actor Demi Moore, holds a snowglobe in her hands and looks depressed in The Substance.
Elisabeth Sparkle, played by actor Demi Moore, holds a snowglobe in her hands and looks depressed in The Substance.
Image via Mubi

The Substance is the story of Elisabeth Sparkle (Demi Moore), a TV personality whose career worsens as she gets older. She has always depended on her fame, the thing that makes her feel a bit too insecure to lose. After some time, things begin to change when Elisabeth finds a product called “the Substance,” which creates a younger version of herself named Sue (Margaret Qualley). This substance allows Sue to take opportunities that Elisabeth thinks are slipping away.

A wonderful concept, and even so beautifully executed. Both women follow the rules to keep things balanced. However, problems arise when their success strains their relationship. Each woman wants more control over her future, and soon, her situation becomes unmanageable. The story keeps your interest because new problems come from earlier choices, so everything feel connected. This is why this movie stands out among recent horror films.

‘Past Lives’ (2023)

Romance

Greta Lee and Teo Yoo with the Statue of Liberty in the background in Past Lives
Greta Lee and Teo Yoo in Past Lives
Image via A24

Past Lives centres on Nora (Greta Lee) and Hae Sung (Teo Yoo), childhood friends in South Korea who are separated when Nora’s family moves away. As time passes, they live separate lives in different countries, and their connection fades. But modern technology eventually allows them to reconnect and talk again. These conversations bring back old feelings and memories that remind them of how much time has passed.

Now, as adults, Nora and Hae Sung plan to meet again to see what their connection means. By this point, Nora is married to Arthur (John Magaro) and has built a life based on her choices. The film is successful because it does not force conflict where it isn’t needed. Instead, it focuses on realistic feelings and hard questions about timing, fate, and personal choices. So you’d better tie your seatbelts because it is going to be a hard-hitting, emotional ride watching this one. Past Lives is the strongest and most realistic romantic drama of the decade.

‘The Wild Robot’ (2024)

Family

Roz the robot (Lupita Nyong'o) running through a colorful swarm of butterflies in The Wild Robot
Roz the robot (Lupita Nyong’o) running through a colorful swarm of butterflies in The Wild Robot
Image via DreamWorks Animation

The Wild Robot follows Roz (Lupita Nyong’o), a robot designed to help humans, but she ends up abandoned on an island after an accident. Surrounded by animals and an unfamiliar environment, she struggles to understand how to function when her programming is rendered useless. Her early attempts to communicate with the island’s animals are awkward and fail. Over time, she starts to observe and learn how the ecosystem works there.

Everything changes when Roz has to care for a young gosling named Brightbill (Kit Connor). Taking care of him forces her to change and form relationships with other animals. The film truly stands out as it shows Roz’s lessons learned through her experiences, which force her to change and leave parts of herself behind. That’s the reason her journey feels even more impactful. It has got to be the decade’s best animated film, which blends a clear, straightforward story with characters that feel real and relatable.

‘Top Gun: Maverick’ (2022)

Action

Glen Powell as LT Jake "Hangman" Seresin smiling in Top Gun: Maverick
Glen Powell as LT Jake “Hangman” Seresin smiling in Top Gun: Maverick
Image via Paramount

In Top Gun: Maverick, Pete “Maverick” Mitchell (Tom Cruise) is still one of the Navy’s most skilled pilots, even decades after the original film. While many of his friends have moved into leadership roles, Maverick continues to fly because it’s the only place he truly feels at home. His abilities are tested when he is assigned to train a group of younger pilots for a dangerous mission. This time, instead of relying only on himself, he must step into the role of mentor.

Among the trainees is Rooster (Miles Teller), the son of Maverick’s late friend Goose, who becomes a key trainee. Their complicated past creates tension and gives the film its edge. The action scenes are exciting, the story is well thought out, and the thrill is there. All in all, it is a complete package. You can easily say it is modern action filmmaking at its best.

‘Dune: Part Two’ (2024)

Sci-fi

Timothée Chalamet as Paul Atreides looking pensive outside in Dune: Part Two (2024).
Timothée Chalamet as Paul Atreides looking pensive outside in Dune: Part Two (2024).
Image via Warner Bros. Pictures

Dune: Part Two begins with Paul Atreides (Timothée Chalamet) as he continues his journey on Arrakis after House Atreides has fallen. While living among the Fremen, he learns to adapt to their different culture. As he gains their trust, he realizes that many expect him to be a leader and possibly fulfill ancient prophecies about the planet’s future.

At the same time, House Harkonnen seeks to control Arrakis and its valuable resources. Each decision Paul makes raises the conflict. His choices impact not only him but also the future of Arrakis, the Fremen, and the wider Imperium. The best part about the film is that its world-building never overshadows the story. You get the best of both worlds. The political struggles, thrilling action, and character development work together seamlessly.

‘Anora’ (2024)

Comedy

Mikey Madison sitting on Max Eydelshteyn's lap and smiling in 'Anora'
Mikey Madison sitting on Max Eydelshteyn’s lap and smiling in ‘Anora’
Image via NEON

The movie Anora tells the story of Anora “Ani” Mikheeva (Mikey Madison), a woman who works as a stripper in New York and spends most of her time trying to earn a living and build a stable future for herself. Things change when she meets Ivan (Mark Eydelshteyn), the son of a wealthy Russian family. Their relationship grows quickly and eventually leads to a marriage that neither of them fully thought about.

Their marriage begins excitingly, but soon the situation shifts when Ivan’s family gets in the middle, discovers their relationship, and steps in to undo their mistake. The story stays engaging because Ani is constantly forced to adapt. She proves to be resourceful, determined, and often more capable than those trying to control her. The movie works well as a comedy-drama as it balances humor and tension, while Ani’s resilience makes the film extremely funny and gripping. It is a perfect light-hearted watch.































































Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

‘All Quiet on the Western Front’ (2022)

War

Paul has a sad look on his face while standing with other soldiers in All Quiet on the Western Front
Paul (Felix Kammerer) has a sad look on his face while standing with other soldiers in All Quiet on the Western Front
Image via Netflix

In All Quiet on the Western Front, the movie follows Paul Bäumer (Felix Kammerer), who joins the German army during World War I with high passion. His hopes vanish as soon as he reaches the battlefield. Where the harsh realities of war quickly replace his expectations, and each experience changes how he sees reality.

Over time, surviving in battle field becomes an important task. The film shows how war breaks down ordinary soldiers and how hard it is to keep hope. The fights are intense, but the story also looks at the deep emotional and mental pain caused by long battles. It is a highly overwhelming and emotional film that will make you go through the struggles of soldiers with you.

‘Anatomy of a Fall’ (2023)

Thriller/ Crime

Sandra looking pensive on the witness stand in Anatomy of a Fall 
Sandra looking pensive on the witness stand in Anatomy of a Fall
Image via Neon

In Anatomy of a Fall, the story starts with Sandra Voyter (Sandra Hüller), who becomes the center of a criminal case after her husband is found dead outside their home. The details of his death are unclear, due to which investigators struggle to figure out what really happened. When the case goes to court, Sandra must defend herself while facing growing public attention. The evidence is often open to different interpretations, which makes it hard to reach a final result.

Her son Daniel (Milo Machado-Graner) has a key role, as his observation is critical during the trial. Each witness, recording, and testimony shifts the story, and you are on the edge of your seat almost all the time. I think this movie is the strongest courtroom drama of the decade, and its strength is in revealing how fragile and uncertain justice can be when different lives and perspectives collide.

‘The Boy and the Heron’ (2023)

Animation

Mahito, looking at the human avatar of the heron in The Boy and The Heron
the lead character of The Boy and The Heron, Mahito, looking at the human avatar of the heron in the Hayao Miyazaki film
Image via Studio Ghibli

The Boy and the Heron centres on a young boy, Mahito Maki (Soma Santoki), who struggles with grief after losing his mother in the war. Moving to the countryside with his father changes his life, which makes it hard for him to adjust. During this time, he meets a mysterious heron that seems tied to strange events around him. His curiosity leads him into a hidden world that no one has ever seen before.

Inside this world, Mahito faces unusual creatures, dangers, and people that are connected to his past. Each step helps him learn more about himself and the loss he carries. The fantasy elements he sees are creative, but it always leads back to Mahito’s emotions. This is why the film stands out so well, because the adventure shown feels meaningful, as it perfectly reflects his struggles. As a fantasy film, it shows how imagination can strengthen a story.

‘The Banshees of Inisherin’ (2022)

Drama/ Dramedy

Colin Farrell and Barry Keoghan as Pádraic and Dominic looking to the distance in The Banshees of Inisherin
Colin Farrell and Barry Keoghan as Pádraic and Dominic looking to the distance in The Banshees of Inisherin
Image via Searchlight Pictures

The Banshees of Inisherin is a film about Pádraic Súilleabháin (Colin Farrell), who lives quietly on a small Irish island while spending most of his time with his friend Colm Doherty (Brendan Gleeson). Everything changes when Colm suddenly decides he simply doesn’t like his friend anymore, pushing Pádraic into a devastating tailspin as he desperately tries to understand the sudden silence of Colm.

As their conflict grows, it spreads across the island, involving family, neighbors, and friends. When Pádraic refuses to leave him alone, Colm delivers an extreme ultimatum that he will mutilate his own fingers every time Pádraic tries to talk to him. This petty yet devastating personal war spirals out of control, acting as a dark, tragicomic parallel to the brutal Irish Civil War. This movie is hands down the best dark comedy of the decade as it takes a simple situation and turns it into something rich, thoughtful, and memorable.

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https://collider.com/most-perfect-movies-2020s-every-genre/


Safwan Azeem
Almontather Rassoul

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