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As far as Taylor Sheridan shows are concerned, nothing is topping Landman. We all know that the Yellowstone creator is most at home in the Western genre, and we seem to want that from him just as much as he yearns to give it.
But Lioness season 3 is an outlier, and with new episodes dropping from August 2, I can’t help but feel it remains that way. Closer in tone to the likes of Tulsa King and Mayor of Kingstown, viewers are thrown into the governmental deep end, following an off-the-books special operative group of the titular name, which is led by hot-headed Joe (Zoe Saldaña).
In season 3, Joe’s working life has gone from bad to worse. By the end of season 2, she looked to jack her perilous and secretive lifestyle in for the sake of her husband Neal (Dave Annable) and their two daughters, but a leopard can’t change its spots.
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Credit where credit is due: without giving anything away, the stakes have been raised fatally high as season 3 takes off. The emotion feels a lot more genuine, and now that there are finally no new team members to contend with, we’ve got the space and breadth to fully invest in everyone present.
But as always, the bombardment of military jargon and circumstances that a civilian will never understand — and will hopefully never have to — feels incredibly alienating.
I’m also often taken out of the moment when Cody, a character played by Sheridan, is featured in episodes. Does this entire IP exist purely to indulge his fantasies of playing soldier? The answer frequently feels like yes.
Lioness season 3 raises the dramatic stakes — and takes aim at AI along the way
But let’s get back to the action. Unlike seasons 1-2, which involved different Middle Eastern conflicts at their centre, Lioness season 3 pushes the focus to the brooding tension between Russian operatives and domestic US forces.
Interestingly, Sheridan wastes no time at all addressing real-life crises, including Gaza-Israel and Ukraine-Russia. It’s the latter that gets the most expansion, with war on Ukrainian land forming the backbone of the storyline that will send Joe to the brink… and beyond.
It also allows for us to fully consider how AI and technology are shaping how fights are fought on the ground. Within minutes, Errol (Martin Donovan) is seen telling Kaitlyn (Nicole Kidman) that AI is an undoubtedly bigger threat to us all than the potential end of democracy — and that’s just the start of Sheridan’s blatant takedown.
Much like we’ve seen across endless social media clips and news reports, the introduction of drones into a warzone also becomes a point of contention. None of this is an angle to modern warfare that I’d even considered, and I’m both impressed and pleased that Sheridan has created the space for that conversation. The Lionesses are raging, and so should we be.
Even amidst the backdrop of change, our team is as strong as ever, and I continue to be bowled over that the busiest working woman on Earth, Nicole Kidman, has made time for such a heavy screen presence. Personally, I think that speaks volumes about the level of craft Sheridan is operating at, and what Kidman thinks of him in turn.
The action itself is fast-paced and unflinching in who or what it takes prisoner. Deaths happen from the get-go, and Joe quickly finds herself reckoning with two different realities. Things feel elevated from what we’ve seen in the past, which could often become monotonous and inconsequential.
Sheridan really is his own hero, and I applaud that
You know how watching enough episodes of Grey’s Anatomy starts to make you feel like you could be a doctor just through absorbing so many medical terms? Lioness season 3 somehow has the opposite effect.
I don’t think there’s been one season of the show yet where I’ve been able to confidently and succinctly explain the overarching narrative of the show. I’ve never once watched one of the many CIA boardroom scenes and properly been able to follow along with the plan, strategy, or off-the-books mission.
Partly, I wonder if this is down to my levels of practical intelligence, in the same way you sometimes panic during test conditions. But mostly, I think this is a script issue. The dialogue is (rightly) peppered with so much military terminology, but there’s rarely a let-up in it. How is the average person supposed to relate to this, unless they’ve played a lot of Call of Duty?
But my favorite part of Lioness — which is either a positive or negative, depending on how you look at it — is how the show seems to exist simply to fulfil Sheridan’s own desires. Once again, episode 1 contains a hefty dose of Delta Force operator Cody, but this time, he’s the indisputable hero.
Again, no spoilers here, but Cody essentially leads a mission that is successful almost solely thanks to his own conspiring, and I think of the little boy who must have played with Action Man figures and wanted a slice of combat for himself.
Sheridan has won just as much as we all have with season 3 (except for the many onscreen casualties), in spite of its flaws. The man is allergic to making outright terrible TV, and for that, we should always be thankful.
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jasmine.valentine@futurenet.com (Jasmine Valentine)
