This review first appeared in issue 357 of PC Pro.
The ColorEdge CG2700X stands out from other monitors in this group test for many reasons. First, this is a monitor absolutely and unapologetically designed for creative professionals. Second, and tied to that, its huge top bezel contains a built-in calibrator (more on that in a moment). Third, its price, which is six times that of the BenQ PD2706U – which is also a 4K 27in monitor with its eye on the creative market.
A 10-bit panel sits at this monitor’s foundation. As we mentioned in the buyer’s guide (in PC Pro), this means it can cover 1.07 billion colors without the use of FRC, and it’s one of the indicators of professional-level quality here. Years ago, you would have needed a pro-quality graphics card to supply a 10-bit signal, but the rising quality of consumer graphics cards (and Nvidia’s Studio driver) means this is no longer the case.
However, the ColorEdge still needs to be part of a color-managed system if you want to maximize your investment. Eizo’s ColorNavigator 7 software is here to help, as it not only helps end users set up an individual monitor but also means a company can ensure all the ColorEdge monitors, in all their offices, will display the same colors.
It enables them to control the brightness, too, and Eizo is keen to promote the sustainability of its ranges. A big part of that is power consumption, and while this monitor can push all the way up to 545cd/m2it still looks great at 200cd/m2(and, unusually, you can push it right down to 40cd/m2, while the OSD even tells you how bright it is). Using the supplied monitor hood helps to control the appearance of colors.
Eizo promises that this monitor will be up and running, producing accurate colors, after three minutes rather than the 30 minutes creatives are used to waiting, which will help if you need to set it up on shoots.
Then there’s its most unique feature: the built-in calibration tool.
You can set this to swing down automatically after a set number of hours (50 to 500) or at regular times – this could be daily, weekly, monthly or even annually. You can even keep working as it performs the calibration. The other brilliant feature for designers is that you can so easily jump between pre-calibrated color spaces. These include the expected sRGB, Adobe RGB and DCI-P3 gamuts to those favored by video editors: BT.2020 and BT.709. If you’re using a BT.2020 clip, it can even warn you that it can’t be reproduced in BT.709 and can show you how it will look to audiences who have more standard TVs.
Anyone who needs to edit HDR footage will also appreciate its support for hybrid log-gamma (HLG) and the perceptual quantization (PQ) curve, and you’ll even see a warning if areas of an image – think extreme whites – can’t be accurately displayed as they go beyond the peak brightness of the monitor itself.
Eizo is also notorious for its attention to detail, and that extends to its support for 100W when powering devices over the USB-C connection. Power equals heat, and that affects colors unless you dissipate it fast. And that’s why there are two metal grilles at the rear of the monitor: not merely to look good, but to allow any excess heat to be removed without recourse to noisy fans.
We also love the OSD. It’s by far the most informative on test, and it’s packed with options that allow you to switch to different gamuts, gamma settings, ICC profiles and color temperatures within seconds. You can also prioritize contrast deviation.
Alternatively, so long as you have a USB connection, you can use ColorNavigator 7. The rear offers a USB-B port next to the RJ45 connector (vital if you want to manage this monitor across a network), plus DisplayPort 1.2 and HDMI 2.0 inputs. Over on the left-hand side you’ll find four USB-A ports, with two in blue supporting the faster USB 3.2 Gen 1 standard, but note the lack of a second USB-C port. The only other missing feature is a pair of speakers.
We’ve covered a lot of technical detail, but ultimately what Eizo is offering is trust. Trust in the colours you see, but also that this monitor will keep on delivering the goods for years. That’s reflected in the build quality of the monitor and in the five-year on-site warranty, where Eizo will come and replace the faulty unit.
Clearly, you’re paying for this in the up-front price, and many creative companies will get more value out of six BenQ PD2706U screens instead. Ultimately, though, the CG2700X is the pinnacle of quality and, so long as you support it with the right hardware and color management system, it’s worth the investment.
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