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Light spoilers follow for Lanterns episodes 1 to 7.
DC Studios probably didn’t expect to have so much riding on Lanterns prior to its debut. But with Supergirl flopping at the box office and fans openly worrying about how much green they’d see in its Green Lantern TV show, DC and HBO executives have likely been sweating ahead of launch.
James Gunn, Peter Safran, Casey Bloys, and company can breathe a collective sigh of relief. While it stops short of being a TV masterpiece, Lanterns is the strongest DC Universe (DCU) entry yet — and, if future DC Studios movies and shows are this good, the cinematic franchise’s brightest days may still lie ahead.
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In brightest day, in blackest night…
Spanning storylines in 2016 and 2026, Lanterns introduces us to Aaron Pierre’s John Stewart and Kyle Chandler’s Hal Jordan. As of 2016, Jordan has spent 30 years keeping vigil as Earth’s first Green Lantern.
But his tenure is nearing its end. That’s because Stewart is selected to be Jordan’s replacement by the Guardians of the Universe, a group of omnipresent superpowered extraterrestrials that founded the intergalactic space cop agency known as the Green Lanterns Corps. The group asks a reluctant Jordan to take the new recruit under his wing.
Lanterns suggests that the DC Universe’s brightest days still lie ahead
Two months into Stewart’s training, a mysterious high school murder draws the pair to Rushville, Nebraska. What starts out as a local investigation, though, soon unspools into a far-reaching, mass cosmic conspiracy that impacts both plotlines.
Naturally, the 2016 narrative directly influences events in 2026, with the latter particularly focusing on the consequences and repercussions of the duo’s actions 10 years prior.
I’m not allowed to reveal how these dual timelines interact, or how the wider seasonal structure and time jump operate. What I can say, though, is that I was surprised by how the episodic format frames its dual storylines.
The 2026 storyline occasionally feels like Lanterns season 1.5
In fact, the 2026 storyline, which takes place in the DCU’s present, occasionally feels like Lanterns season 1.5 — and that’s my biggest critique. I haven’t seen this season’s eighth and final episode yet, so I still hold out hope that the finale will tie everything together seamlessly. Right now, though, the present-day plot feels like an overly drawn-out epilogue to the 2016 events and a foundational layer to the DC comic book show’s already in-development second season.
None of this means Lanterns is predictable. Sure, given its source material, its superhero flair and ‘new weird’ sci-fi sensibilities are expected. At its core, though, it’s a grounded, rural crime drama — albeit with cosmic stakes — that unapologetically wears its True Detective influences on its sleeve.
Narrative curveballs, then, are par for the course, even if they’re hurled with varying degrees of success. Indeed, while I decoded one of the 2016 storyline’s biggest mysteries early on, I was completely blindsided by a game-changing plot twist that redefines its dual timeline structure. No spoilers, but it’s a bold storytelling pivot guaranteed to upset Green Lantern fanatics and ignite debate among DC purists.
Lanterns’ game-changing plot twist is… guaranteed to upset Green Lantern fanatics
Given the deliberately slow-burn nature of its unfolding story threads, the DCU Chapter One show’s action largely takes a backseat to character work and its police procedural tendencies. Small-scale skirmishes and chase sequences, rather than constant spectacle, are largely the name of the game.
When Lanterns decides to go full throttle, though, it does so with aplomb. Again, I’m not at liberty to talk extensively about specific episodic events, but one entry completely usurps the space cop murder-mystery vibes for emotionally heavy, big-budget set-pieces — and the show is all the better for it.
Passing of the torch
Ultimately, Lanterns wouldn’t be as blindingly brilliant without its talented co-leads — and Pierre and Chandler are certainly a match made in heaven.
Aaron Pierre and Kyle Chandler are a match made in heaven
Barely five minutes into episode 1, their utterly absorbing buddy cop relationship bears fruit, too.
Balancing humor and gravity in equal measure, Stewart and Jordan are unmistakeably two sides of the same courageous coin from their very first interaction. It’s an opening exchange that instantly validates their perfect casting, and highlights the pair’s natural, magnetic rapport that only deepens as the series progresses.
Their bond is only strengthened by their individual and collective complexities. Between Hal’s unconventional mentorship, backstories that unexpectedly tie their pasts together, and a deep-seated yet unspoken mutual respect, the veiled hostility that punctuates their dynamic has an electrifying push-and-pull that you can’t take your eyes off.
Stewart and Jordan’s dynamic has an electrifying push-and-pull you can’t take your eyes off
Green Lantern traditionalists might balk at certain character tweaks, such as the obsessive drive imbued in the DCU’s Stewart.
For the most part, though, both actors capture the true essence of their characters — Pierre embodying the stoic, disciplined, and measured Stewart to a tee, while Chandler delivers a flawless portrayal of Jordan’s brash, reckless, intentionally aggravating, and stubborn persona.
With these polar opposites both believing themselves uniquely worthy of wielding Earth’s sole Green Lantern ring, their powder-keg rivalry heightens with every episode, which eventually erupts into a conflict that leaves their already fragile relationship irrevocably scarred. Suffice it to say, Lanterns‘ buddy cop bond is the best I’ve seen in a long, long time.
Are you afraid?
Beyond its leads, Lanterns boasts an exceptionally strong ensemble. Kelly Macdonald is terrific as the HBO Max show’s primary supporting character, Kerry Kane, Rushville’s no-nonsense sheriff with a mysterious history of her own, who dovetails with Stewart and Chandler as part of a captivating triumvirate.
Beyond its leads, Lanterns boasts an exceptionally strong ensemble
Macdonald is far from the only standout. Garret Dillahunt is the subtle, creeping menace and intriguing ranch owner, Will Macon, whose wider antagonistic role isn’t exactly subtle with regard to Lanterns‘ thematic exploration of white privilege, racial discrimination, and injustice.
Elsewhere, Poorna Jagannathan imbues the enigmatic Zoe with charm and complexity, and Laura Linney commands the screen as Lianna, aka one of the Guardians of the Universe.
Furthermore, J. Alphonse Nicholson and Jasmine Cephas Jonas shine as Stewart’s parents — primarily during a flashback-heavy, Stewart family-focused episode, but also now and then during the 2026 plot. Special credit to Nathan Fillion’s guest-starring role as the wonderfully obnoxious Guy Gardner, too, whose fiery interactions with Stewart are, like the latter’s fraught dynamic with Jordan, worth the entry fee.
If there’s a downside, it’s that a few talents are disappointingly underused — namely, Jason Ritter’s Billy Macon and, given his weight in Green Lantern mythology, Ulrich Thomsen’s Sinestro. With the latter, though, the trajectory heading into this season’s finale suggests the show might still set things right.
Beyond the characters, Lanterns leans heavily into its source material’s lore, thereby honoring DC’s rich history rather than just skimming the best bits off the surface.
Refreshingly, its deep-cut fan-service doesn’t come at the expense of accessibility. Indeed, with Stewart serving as the audience’s entry point to the Green Lantern Corps and wider mythos surrounding this fictional institution, newcomers can easily grasp the cosmic mechanics without feeling lost.
Meanwhile, long-time fans have a treasure trove of Green Lantern Easter eggs and wider comic book references — a couple made it into Lanterns‘ initial teaser and Lanterns‘ first official trailer — to pore over. But regardless of your familiarity with this particular corner of the DC comic book universe, seeing Stewart and Jordan flex their creative muscles with the latter’s power ring is pure joy, especially when they use it for the most basic tasks.
My verdict
Recency bias aside, Lanterns is unequivocally the finest DC Studios production so far. Driven by an absorbing, twist-filled narrative, anchored by heavyweight performances, and extremely faithful to its literary roots, this is prestige television nearly firing on all cylinders.
And I say “nearly” because a few minor missteps, which I’ve already covered, mean it falls just shy of absolute perfection. Even so, Lanterns is a shining example of a comic book adaptation done right — and a much-needed beacon of hope for the DCU at the end of what’s been its most challenging period to date.
Lanterns launches with a one-episode premiere on August 16/17, with new episodes airing weekly. Ahead of launch, find out everything we know so far about Lanterns.
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tom.power@futurenet.com (Tom Power)
