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If you’d have told a 33-year-old Tom Cruise at the 1996 premiere of Mission: Impossible that he’d be promoting — and not just promoting, living — the same film franchise 29 years and seven instalments later, he probably would’ve believed you right there and then.
There are plenty of seemingly impossible things about Mission: Impossible – The Final Reckoning, but Cruise’s commitment to the character of Ethan Hunt is not one of them. Brian De Palma’s big-screen reboot of the 1966 Mission: Impossible TV series was the first to be produced by Cruise’s then-new production company C/W Productions, and the ageless star has since committed to going bigger and better with each subsequent instalment.
The Final Reckoning is, we presume, the last Mission: Impossible movie for some time (maybe ever!), and though it’s certainly no better than what’s come before – in truth, it probably places fifth or sixth in our ranking of the Mission: Impossible movies – it’s most definitely bigger than anything else you’ve seen (or will see) this year.
Back in the saddle
The series’ eighth entry picks up where 2023’s Dead Reckoning left off, with Ethan and the rest of the IMF gang still trying to outfox the rogue artificial intelligence system known as ‘the Entity’. It’s essentially the same Big Bad as before, except now the Entity is hell-bent on nuclear armageddon, and it’s also started to brainwash small pockets of the populace into supporting its apocalyptic cause (some people just have to be part of a club).
To ensure its own survival when the bombs start to fall, the Entity needs access to a secure digital bunker in South Africa, and it’s here that our heroes hope to trap ChatGPT-on-steroids using a combination of various hard-to-get-hold-of MacGuffins, including an elaborate USB stick buried in the belly of a sunken Russian submarine. So far, so Mission: Impossible.
There are many, many other facets to The Final Reckoning’s convoluted story, which is even more difficult to follow than the plot of the original Mission: Impossible, but the film is essentially a ’90s disaster movie dressed up as a commentary on AI and misinformation.
That’s not necessarily unbecoming of the franchise – Ethan has always been dropped into a race against time to save the world – but, to its detriment, The Final Reckoning feels distinctly more grandiose than any other Mission movie before it, with more time devoted to politicking and fate-of-the-world decision-making than to ingenious gadgetry and covert spycraft.
Mission: Impossible is at its best when Ethan and his band of IMF misfits are infiltrating a famous landmark or pulling off an improbable escape, quipping at each other as they do so (the Burj Khalifa sequence in Ghost Protocol is an all-timer example of that formula in action). The Final Reckoning swaps this playful tone for doom and gloom in a bid to raise the emotional stakes, but the trade-off is a more serious, arguably un-Mission: Impossible-like experience overall.
This sentiment isn’t helped by an exposition-heavy first hour, which jumps between locations, characters, and plot threads like a YouTube recap of the Mission: Impossible series so far. Flashbacks are fine in moderation, but the sheer number of them deployed by director Christopher McQuarrie in the opening moments of The Final Reckoning is an indictment of the film’s unwieldy story.
Getting down to business
Mercifully, things take a turn for the action-packed about halfway through, when Ethan jumps into the Bering Sea in search of that aforementioned Russian submarine. It’s here that we’re introduced to Captain Bledsoe, played with scene-stealing aplomb by Severance star Tramell Tillman, and the first of two outrageously gripping stunts gets underway.
If you’ve seen any of The Final Reckoning’s trailers or posters, you’ll know that the biplane sequence – shot at 8,000 feet in 140mph winds with no CGI – is being framed as the film’s centerpiece, and while it’s undeniably impressive, the earlier submarine sequence is arguably the bigger highlight. Here, McQuarrie and Cruise use a combination of digital effects and practical wizardry to simulate the inside of a missile-filled submarine at the bottom of the ocean, and the sense of scale and jeopardy the pair achieve is staggering.
Watching Cruise dodge nuclear warheads under life-threatening amounts of pressure will have you, too, feeling like you’re trapped on the ocean floor, especially if you experience this ordeal in the expanded aspect ratio afforded by IMAX.
Quite frankly, The Final Reckoning is saved by its two major set-pieces. They bring a much-needed injection of excitement to an otherwise drawn-out disaster story, and while the film as a whole could do with more action and less situation-room drama, these stunts will remind you why you paid the ticket price. Nobody is doing it like Tom Cruise, and this eighth and potentially final entry in the Mission: Impossible franchise – for all its many shortcomings – hammers home that truth and then some. Cue the theme music!
Mission: Impossible – The Final Reckoning arrives in theaters and IMAX on May 21 (UK) and May 23 (internationally).
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axel.metz@futurenet.com (Axel Metz)
