Say Goodbye to These 6 Movie Franchises That Are Officially Ending



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When a movie takes off, it can lead to a long and prosperous life. One film can lead to another, ultimately opening the door to a fully fledged franchise. Then, that franchise goes beyond just the films; it can open the door to other media as it further impacts pop culture. But the sad truth is that all good things must come to an end.

Many epic franchises have had the chance to extend beyond their means, hurting their legacies in the process. Others have ended at just the right moment. The film franchises on this list are a mix of both. Some are ending as their source material has concluded. Some are due to the completion of a trilogy. And then there are some who simply just have no more tales to tell. Let’s celebrate these film franchises one last time before we say goodbye.

1

Dune

Dune Part 3 - Robert Pattinson
Dune Part 3 teaset trailer stills
Image via Warner bros.

There might not be a bigger sci-fi movie franchise that debuted this century than Dune. Lifting Frank Herbert’s 1965 novel to life, director Denis Villeneuve has taken what has been deemed unadaptable and done the unthinkable. The sweeping sci-fi epic set in a distant future tells the story of a galactic struggle for control of Arrakis, an inhospitable desert planet and the universe’s only source of “spice.” This rare resource is essential for interstellar travel and unlocking superhuman potential, making it the most valuable commodity in existence. The central narrative follows Paul Atreides (Timothee Chalamet), the young heir of the noble House Atreides. When his family is granted stewardship of Arrakis, they are quickly caught in a deadly, politically motivated trap set by their bitter rivals, House Harkonnen, backed by the Padishah Emperor (Christopher Walken). Blending intense space opera action with deep political intrigue, religious prophecy, environmentalism, and the dangers of charismatic leaders, the Villeneuve trilogy arrived at just the right time.

The first two films, Dune and Dune: Part Two, took the world by storm, proving that audiences were eager to see the blockbusters fit for the big screen. Across the three films, the ensemble has been part of the big draw. With a cast that includes Chalamet, Rebecca Ferguson, Oscar Isaac, Zendaya, Javier Bardem, Josh Brolin, Austin Butler, Florence Pugh, Anya Taylor-Joy, and Robert Pattinson, among others, why wouldn’t your butt be in the movie theater seats? While Herbert’s original saga spans 3,500 years through six novels with subsequent sequels written by Brian Herbert and Kevin J. Anderson, proving there could be more story for film, as of now, the Villeneuve edition is ending this December with Dune: Part Three. Meant to be the icing on the cake, the film operates as the natural and definitive end to Paul Atreides’ storyline. Following the novel Messiah, the books jump centuries into the future and shift away from the surviving characters established in the first two films, thus Villeneuve’s conclusion. Now, the cinematic universe will carry on via a television series with Season 2 of Dune: Prophecy. For now, the three-part film series will have reached its epic end come this winter. ​​

2

Fast & Furious

Vin Diesel as Dominic Toretto using a car door as a shield in Fast X.
Vin Diesel as Dominic Toretto using a car door as a shield in Fast X.
Image via Universal Pictures 

Just because a franchise has a more than two-decade lifespan doesn’t mean it’s beloved by all. What it does mean is that it has a devoted fan base that has been part of the family since the beginning. That’s a major reason as to why the Fast & Furious film franchise has had such an enduring legacy. A juggernaut in pop culture, the Universal Pictures action series follows street racer Dominic Toretto (Vin Diesel) and his tight-knit crew as they evolve from underground car hijackers into a global team of elite operatives. Centered on themes of loyalty and found family, the series has transitioned from local street racing into high-stakes international heists and espionage. The series begins through the lens of undercover cop Brian O’Conner (Paul Walker), who infiltrates Dom’s crew but ultimately forms a deep bond with him, allowing him to escape the law. It moved internationally as the team executes massive, physics-defying heists across the globe in locations like Rio de Janeiro and London. Then, they teamed up with government agencies as they face off against cyberterrorists and rogue operatives. A high-stakes, unrelenting thrill ride, Fast & Furious fans will be playing “See You Again” as the mainline franchise will conclude with Fast Forever.

The Fast & Furious franchise popularized street racing culture, championing unprecedented diverse casting long before it became an industry standard. Across the various films, the family has wonderfully expanded, featuring a revolving door of stars including Jordana Brewster, Michelle Rodriguez, Ludacris, Tyrese Gibson, Dwayne Johnson, and Jason Statham. The franchise knew the original premise could take it so far, so it pioneered the self-awareness to pivot. By moving into new subgenres, Fast & Furious extended long beyond its means. When the box office continues to deliver, no wonder more movies are always in the cards. As Diesel has stated, it will be the “most amazing finale.” Though it is quite a bit away before the end of Dom’s story, the franchise is set to retain a future in other media and potential spin-offs. Many casual watchers may have come and gone, but Fast & Furious has proven that family extends beyond the screen. While the final film is likely to be stuffed with fan service, the truth is, they deserve it.































































Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

3

Jackass

A scene from 'Jackass: Best and Last.'
A scene from ‘Jackass: Best and Last.’
Image via Paramount Pictures

The fact that there have been as many Jackass films is a discussion of its own. Nevertheless, the cult classic franchise that defined the turn of the century has come to a close. Or at least what the team says. Beginning as a reality slapstick comedy series on MTV, created by Jeff Tremaine, Spike Jonze, and Johnny Knoxville, Jackass featured a compilation of pain-inducing stunts and pranks. As a pinnacle of pop culture, the antics that were too much for television were brought onto the big screen for six outrageous movies. On the big screen, the films featured a close-knit group of daredevils who perform highly dangerous stunts, absurd pranks, and gross-out humor on each other and the public. It functions as a celebration of reckless camaraderie, humor, and long-term male friendship. Though they operate less as traditional narrative stories and more as compilations of comedic segments, each film is just bigger and wilder.

Alongside Knoxville, the Jackass films have featured a plethora of familiar faces, including Steve-O, Chris Pontius, Jason “Wee Man” Acuña, Ehren McGhehey, and Dave England, all of whom willingly subject themselves to physical and psychological challenges. Jackass was not made for everyone. In fact, its niche audience kept the franchise alive. Push back as you might, it revolutionized modern comedy by proving that unscripted, stunt-based, gonzo-style visual storytelling could become a massive global phenomenon. It legitimized pain as art, much to other artists’ chagrin. Jackass, as we know it, has officially ended. Knoxville and the original crew concluded the series with the film Jackass: Best and Last, which was released in theaters on June 26, 2026. Director Tremaine cited the cast’s age and severe injuries as the reason for its end. The final film served as a retrospective farewell, combining new stunts with never-before-seen archival footage and emotional reflections from the cast. The franchise has had false ends before, but this isn’t a hiatus; it’s a genuine conclusion.

4

Jumanji

Kevin Hart, Karen Gillan, Dwayne Johnson, and Jack Black behind the scenes in the city shooting 'Jumanji: Open World.'
Kevin Hart, Karen Gillan, Dwayne Johnson, and Jack Black behind the scenes in the city shooting ‘Jumanji: Open World.’
Image via Columbia Pictures

In 1995, families were completely taken by the adaptation of the children’s book Jumanji. It served as a definitive film for a generation. Then, two decades later, a new iteration of the story, explored through a modern technological lens, arrived. Jumanji: Welcome to the Jungle not only worked, but it inspired a newfound film franchise. And later this year, it’s coming to an end. The reboot trilogy shifts the action from a board game into a video game when four high schoolers — Spencer Gilpin (Alex Wolff), Anthony “Fridge” Johnson (Ser’Darius Blain), Bethany Walker (Madison Iseman), and Martha Kaply (Morgan Turner) — in detention, are sucked into Jumanji. They are transformed into adult avatars with distinct strengths and weaknesses — Dr. Xander “Smolder” Bravestone (Dwayne Johnson), Professor Sheldon “Shelly” Oberon (Jack Black), Franklin “Mouse” Finbar (Kevin Hart), and Ruby Roundhouse (Karen Gillan) — and must complete a perilous quest to return home. Filled with chaos through a humorous lens, the Jumanji series offered a refreshing take on a beloved story while remaining respectful.

The reason why the Jumanji reboot didn’t stop with one film lies in the dynamic chemistry of the on-screen quartet. The adult avatars are well written, but each actor elevates the tropes into hilarious, fully realized characters with so much potential. Rather than a direct remake, the film functions as a continuation, even with a touching homage to Robin Williams‘ original character, Alan Parrish. In turn, it bridges the gap between fans of the classic 1995 film and modern moviegoers. The final installment of the reboot, Jumanji: Open World, is set to conclude this December. The twist for this film will see the characters drop the chaos into cities and suburbs. This means large animals and creatures are now loose in populated areas, a touching tribute to the original film. Rather than stretching the storyline indefinitely, this final film was the perfect time to give the beloved adventure a heartfelt and emotional conclusion.

5

The Hunger Games

Glenn Close as Drusilla Sickle speaking to a microphone in The Hunger Games: Sunrise on the Reaping Image via Lionsgate

No other young adult novel series took the world by storm quite like The Hunger Games. Originally adapted from Suzanne Collins’ book series for the big screen, the first three books, crafted into four films, served as the ultimate blockbuster event. The original saga tells the story of the wealthy Capitol controlling 12 surrounding impoverished districts and forcing them to send two children as “tributes” to fight to the death in an annual battle royale called The Hunger Games. The story follows teenager Katniss Everdeen (Jennifer Lawrence) as she survives a deadly, televised government tournament and inadvertently sparks a massive national rebellion. But it didn’t end there, as Collins wrote two prequel stories. In The Ballad of Songbirds & Snakes, set 64 years before the original films, this story follows a young Coriolanus Snow (Tom Blythe) — the future tyrannical president — long before he comes to power, as he mentors a District 12 tribute during the 10th annual games. Now, the last remaining Collins book — Sunrise on the Reaping — will conclude the decade-and-a-half epic on-screen journey.

In Sunrise on the Reaping, set 24 years before The Hunger Games, the story focuses on the Second Quarter Quell, or the 50th Games. It centers on a young Haymitch Abernathy (Joseph Zada) and chronicles his experience surviving a brutal edition of the games in which the Capitol doubled the usual number of tributes. Upon the conclusion of this blockbuster, there simply isn’t any further source material to pull from. When the final film finishes, it will mark a monumental era of the young adult genre. The Hunger Games proved that gritty, female-led dystopian stories could be massive, generation-defining hits. The entire Hunger Games universe paved the way for character-centric stories and bold storytelling. By prioritizing deep political commentary, anti-war themes, and complex world-building over typical romance, the films gave viewers something novel to attach to. There’s no doubt that the media franchise will carry on, but the films have marked its end. ​​​​​​​

6

The Strangers

The Strangers Chapter 3
The Strangers Chapter 3
Image via Lionsgate

Horror franchises have become a cornerstone of the entertainment industry. There have been horror series that have lasted decades and lingered on for far too long. The Strangers have opted to end following the third film of the reboot (especially since all three films received generally negative reviews). The Strangers franchise is a series of psychological horror films that centers on a trio of masked, psychopathic home invaders who target isolated individuals and couples. The franchise is defined by its nihilistic randomness, as the killers subject their victims to brutal, motiveless violence and psychological torment just because they happen to be home. The reboot trilogy, directed by Renny Harlin, spans three consecutive chapters in which a couple, Maya and Ryan (Madelaine Petsch and Froy Gutierrez), are forced to spend the night in a remote Airbnb after their car breaks down. It’s there that the masked trio attacks them. Unlike the original, this trilogy explores the aftermath of the attack and attempts to delve into the killers’ origins.

Known for the killers wearing the signature disturbing, toy-like masks, the killings serve as a jarring juxtaposition between childhood innocence and brutal violence. The terror stems from the fact that the killers have no personal vendetta or material greed. They target ordinary, unsuspecting people in remote locations. Though the masked antagonists — Dollface, Pin-Up Girl, and Scarecrow (Ella Bruccoleri, Ema Horvath, and Gabriel Basso) — are iconic and intrinsically creepy villains, there remains a strong possibility they could be revisited down the line. However, the reboot’s poor reception may prevent that potential. Especially since the original allure of the mystery of the motives was hidden, further exploration could dilute the future. Since all three films were filmed back-to-back and released in subsequent years, audience burnout was real. Nevertheless, the revitalization of the home invasion horror subgenre is thanks to The Strangers.

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https://collider.com/best-movie-franchises-officially-ending/


Michael Block
Almontather Rassoul

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