Taylor Sheridan Brutally Slams Marvel & Superhero Movies



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Not everyone is enjoying what has become the Marvel presence in Hollywood.

When it comes to superhero adaptations on the big screen, the Marvel Cinematic Universe’s 2008 start became a pivotal moment for the genre. As it served as a major reason for how comic book stories became a major mainstream category, Kevin Feige’s franchise hasn’t always won everyone over.

During his appearance on The Bill Simmons Podcast, the MCU and superhero genre ended up becoming a massively discussed topic by Taylor Sheridan. Initially, he was talking about how he did everything he could to avoid repeating formulas that many writers were doing in Hollywood, stating that, “What everyone else was doing was taking shortcuts. Essentially, breaking all the very basic, fundamental rules of storytelling. Because they couldn’t figure out their story.”

The Yellowstone creator continued, “With a movie, you’re supposed to show me what’s happening. The camera is supposed to move the story. The dialogue is supposed to tell me how the people in this world feel about what’s happening or what they hope to do or what they wish they hadn’t done or had done. So, if you stick to that one basic rule from the beginning, never have a character tell me something that the camera could show me.”

From that point is where the MCU timeline got addressed, as Sheridan called out how “all these Marvel movies do it, ad nauseam. Where they will just have information dumps that you have to follow to get to the action rather than actually moving plot with action. It didn’t used to be this way when Steve McQueen was a movie star at Paramount and Bobby Evans ran the studio because writers were turned loose. Directors were turned completely loose. There weren’t endless rewrites. There weren’t meetings with executives about tone and mood and all this nonsense.”

Taylor Sheridan: “The studio executives and the network executives — these are marketing executives, for the most part. Or maybe they studied law or whatever. Then they came, got a job in the mailroom at CAA or WME, and hated that s—. So then they ended up as an intern at some network. Then, through attrition, they find themselves the head of development. Well, what do you know about developing story? You know nothing. So they get terrified, panicked that the audience won’t get it because they actually have no storytellers.”

As of writing, Disney and Marvel Studios have not responded to Sheridan’s comments. While the MCU, as a whole, is still going to this day, The Multiverse Saga has faced more criticism compared to The Infinity Saga.

Throughout Phases 4 and 5, there was an increase in releases of not just MCU films, but also the addition of TV shows, once Marvel Studios began to utilize Disney+ as a regular platform for newer and older characters. But throughout the last couple of years, the cracks have become more evident, and that includes the elements that Sheridan spoke about.

While exposition can and is crucial, it’s all about how it is done. Another issue that the MCU has faced is how the genre has become like homework for audience members, where it can be challenging to keep up with every single movie or series that comes out of the franchise.

















From “I Am Iron Man” to “I Am Inevitable” · Eight Questions
How Well Do You Know the MCU?
“Whatever it takes.”

🤖Phase OneRDJ & the founders, 2008

🛡The AvengersWhedon’s team, 2012

💎Infinity SagaThanos & the stones

EndgameWhatever it takes, 2019

🌏MultiversePhase 4–6, 2021–

01

Iron Man (2008) is, in retrospect, the most consequential casting decision in modern blockbuster history — but at the time Marvel Studios and parent company Paramount were openly hostile to director Jon Favreau’s push for the lead actor he eventually got. Favreau later said he had to fight “tooth and nail” and the actor had to do a paid screen test, a screen-test deal almost unheard of for an A-lister. What was the executive objection to him?




02

The Avengers (2012) — the film that proved the shared-universe model could work, grossed $1.52 billion, and ended Phase One with Loki, Thanos’s mid-credits reveal, and the “swarm shot” of the team rotating in Manhattan — was written and directed by a TV showrunner best known at the time for Buffy the Vampire Slayer and Firefly. Name him.




03

Marvel co-architect Stan Lee (1922–2018) appeared in every theatrical MCU film from Iron Man (2008) onward, even shooting cameos in advance to outlast him. He died on November 12, 2018. In which film does his final filmed MCU cameo appear — as the long-haired young driver of a 1970 car bearing the bumper sticker “NUFF SAID”?




04

Across Phase One through Three, each Infinity Stone is hidden inside a distinctive container before being claimed for Thanos’s Gauntlet. The blue Space Stone is housed inside a glowing cube that originates with the Asgardians, is recovered by Howard Stark from the wreckage of the Red Skull’s plane, is taken to Asgard by Loki in 2012, and is finally retrieved by Hulk on Sakaar before falling to Thanos. What is that container called?




05

In Avengers: Infinity War (2018), the Soul Stone is hidden on Vormir and guarded by a Stonekeeper — revealed to be a cursed Red Skull. To claim it, the seeker must sacrifice the person they love most by throwing them from a cliff. Thanos arrives on Vormir with one adopted daughter, weeps, and pushes her over the edge. Which character does Thanos sacrifice to obtain the Soul Stone?




06

In Avengers: Endgame (2019), Steve Rogers travels back in time to return the Infinity Stones, then chooses to remain in the past and live out a life with Peggy Carter. He returns to the present as an old man, sits on a bench by the lake at the Avengers compound, and hands his vibranium shield to a younger Avenger as the symbolic transfer of the Captain America identity. To whom does Steve give the shield?




07

After Endgame, Marvel Studios’ Phase Four launched the MCU on Disney+ with a sitcom-pastiche limited series in which Wanda Maximoff and a resurrected Vision live inside a reality-warping suburban hex. Each episode parodied a different era of US TV sitcom — The Dick Van Dyke Show, Bewitched, Family Ties, Modern Family. The show premiered January 15, 2021 and ran nine episodes. Which series was it — the first MCU project on Disney+?




08

At the closing panel of San Diego Comic-Con on July 27, 2024, Marvel Studios president Kevin Feige brought the Russo brothers back on stage to announce a new title for the next Avengers film — previously labelled “The Kang Dynasty” before Jonathan Majors’s December 2023 conviction forced a pivot — and then unmasked a cast of actors wearing green hoods. The final hood came off Robert Downey Jr. RDJ is returning to the MCU, but not as Tony Stark. As whom?




The Stones Are Cast · Final Scorecard
Your Avengers Standing

💎

/ 8

A worthy Avenger — or dusted in the snap?

There has been a clear focus from Marvel Studios on going back to quality and focusing less on quantity, as 2026 has been a clear indicator of how there are very few upcoming MCU movies and TV series this year. With Phase 6 closing out in December 2027 through Avengers: Secret Wars, time will tell if Phase 7 and beyond will follow a similar path.

Hopefully, as the MCU slows down with releases, one of the factors playing a role in that is to improve the areas in the writing aspects that Sheridan brought up. With highly anticipated films like the X-Men reboot, which will bring the mutants into a central spotlight in the franchise, the expectations are higher than ever.

The MCU’s next release will be Spider-Man: Brand New Day on July 31.

MCU Franchise Poster

TV Show(s)

Agents of S.H.I.E.L.D., Agent Carter, Inhumans, WandaVision, The Falcon and the Winter Soldier, Loki, What If…?, Hawkeye, Moon Knight, Ms. Marvel, She-Hulk: Attorney at Law, Secret Invasion, Marvel’s Echo, Agatha All Along, Ironheart, Daredevil: Born Again, Your Friendly Neighborhood Spider-Man

Upcoming Films

Blade, Avengers: Doomsday (2026), Avengers: Secret Wars


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https://screenrant.com/taylor-sheridan-marvel-movies-criticism/


Andy Behbakht
Almontather Rassoul

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