The 10 Best ’80s Fantasy Movies, Ranked



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The 1980s were an incredible time for movies of all genres. From sci-fi to horror to comedy and everything in between, the decade was rife with some amazing movies that are still enjoyed by a wide variety of audiences, both young and old. Among these nostalgic and iconic flicks are films in the fantasy genre, which feature magic and monsters, or even worlds far beyond that of our own, all telling various imaginative stories based on fairytales or folklore.

Though there were many fantasy flicks that came out during the 1980s, a select handful take the title of being the absolute best, from underrated cult classics to critically acclaimed, award-winning blockbusters. These are the best fantasy movies of the 1980s, which have not only stood the test of time but are just as impressive in scale now as they were 40 years ago.

10

‘Highlander’ (1986)

Connor MacLeod holding a sword in the Scottish highlands in Highlander Image via Summit Entertainment

Highlander is a low fantasy film that is absolutely riddled with 1980s cheese, but that’s probably why people like it so much. The story follows two distinct periods: one in 1980s New York, and one in 16th-century Scotland, all following Highland Warrior Connor MacLeod (Christopher Lambert), an immortal who is biding his time in New York posing as an antiques dealer. Connor lives a simple life but is ultimately awaiting his final confrontation with his oldest enemy, another immortal who is rising again, prompting Connor to pick up his sword once more.

Highlander got good, but not great, critical reviews, yet it has attracted a niche of fans, becoming a bit of a cult classic in the fantasy genre. It’s a neat little blend of medieval times, 20th-century urban life, and fantasy that allows itself to have fun and be what it wants to be. It wants to be cheesy, and it’s made all the better for it. Along with its memeable moments, surprising quality, and easy-to-follow storyline, Highlander may not be the best 1980s fantasy movie, but it’s definitely one that’s gone down in history.

9

‘Legend’ (1985)

Mia Sara as Lili shares with Tom Cruise as Jack in Legend
Mia Sara as Lili shares with Tom Cruise as Jack in Legend
Image via Universal Pictures

Legend didn’t really sit well with critics for some reason, but in the years since its release, it has become nothing short of a cult classic. Directed by Ridley Scott and starring Tom Cruise, Legend is about a demon known as the Lord of Darkness (Tim Curry), who intends to plunge the world into an eternal night by killing every unicorn that remains. In order to lure the unicorns out of hiding, he must use bait, which comes in the form of Princess Lili (Mia Sara), who is also being forced against her will to marry the Lord of Darkness.

To stop this sinister plot, a forest child named Jack (Cruise) embarks upon a quest to save the princess and the unicorns and stop the Lord of Darkness from destroying daytime as we know it. Perhaps it was its fairytale-esque plot that critics didn’t like, or maybe it was its writing, but the negative reviews have certainly not aged well. Modern cinephiles see Legend as a fantasy masterpiece from Ridley Scott that never, ever got the attention that it rightfully deserved.

8

‘Dragonslayer’ (1981)

Vermithrax Pejorative spreading its wings and breathing fire in Dragonslayer.
Vermithrax Pejorative embarks on her reign of terror in Dragonslayer.
Image via Paramount Pictures

Dragonslayer is a wholly original dark fantasy film without any source material to fall back on, which definitely isn’t the norm for epic fantasy films such as this. The movie, as implied by the title, is about a dragonslayer, specifically about a wizard’s apprentice who is tasked with killing a dragon who has been wreaking havoc on a nearby village, abducting and consuming young girls while the helpless townsfolk can do nothing but watch on in despair.

First of all, let’s be honest, dragons are just flipping cool, and any movie that contains a flying, fire-breathing lizard automatically gets some points in the entertainment department. Even then, though, Dragonslayer is pretty good in just about every other aspect, too, with state-of-the-art special effects (or at least, for the time) and a thrilling and engaging story reminiscent of ancient knight tales involving dragons. It’s simple, yet elegantly crafted and very exciting.

7

‘The Last Unicorn’ (1982)

The unicorn staring into the distance in The Last Unicorn
A unicorn looking over a landscape in The Last Unicorn
Image via Jensen Farley Pictures

Perhaps you might not have heard of this ’80s fantasy movie, but you should watch it at once. The Last Unicorn is an animated fantasy flick based on a novel of the same name by Peter S. Beagle, who also wrote the screenplay for the movie. The film comes in as an American-Japanese joint project, written and performed by American actors and writers, but animated by the Japanese animation studio Topcraft. However, the visuals aren’t done in a Japanese anime style and are more in line with other American animated flicks, so cinephiles who don’t really like anime will still be able to appreciate it.

Story-wise, it’s about a lonely unicorn who finds out that she might be the last of her kind, and sets off on a journey to find out if this is true and determine what happened to the rest of her species. Critics deemed The Last Unicorn a tad unusual, with the animation lacking fluidity at times. However, overall, it is a one-of-a-kind masterpiece that gives an interesting and heartbreaking story with a lot of relatable themes for both kids and adults.

6

‘Labyrinth’ (1986)

Close-up of David Bowie as The Goblin King holding a crystal ball in Labyrinth
Close-up of David Bowie as The Goblin King holding a crystal ball in Labyrinth
Image via Tri-Star Pictures

Labyrinth is a musical fantasy comedy directed by Jim Henson, starring David Bowie in a legendary performance as Jareth, the Goblin King. The story is about Sarah (Jennifer Connelly), an angsty teenager who is tasked with watching her baby brother, Toby (Toby Froud). Toby is constantly crying and seemingly never satisfied, causing Sarah, in a fit of anger, to wish him away. Jareth arrives and takes Toby to his kingdom, and Sarah immediately regrets her mistake. But the Goblin King gives her one last chance, allowing her to take her brother back if she can navigate through his treacherous, ever-changing labyrinth within 13 hours.

In spite of the movie being a passion project from Jim Henson, it was a box office bomb, which deeply upset the director. However, its failure at the box office does not reflect its inherent quality. Labyrinth is absolutely amazing for both kids and adults and delivers some catchy musical numbers performed in David Bowie’s iconic baritone. It’s a whimsical, fantastical adventure story featuring lots of strange and interesting creatures and beings, and is a fond source of nostalgia for many.































































Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

5

‘The Dark Crystal’ (1982)

Jen's Mystic Master stares over a cauldron in 'The Dark Crystal'.
A sill image from the 1982 dark fantasy film, The Dark Crystal.
Image via Universal Pictures

Jim Henson was absolutely killing it in the 1980s with his fantasy flicks, but The Dark Crystal is perhaps the best due to its inherent uniqueness and surprisingly extensive amount of lore. The story is set in the world of Thra, after a devastating war in which the invasive, vulture-like species known as the Skeksis exterminated the native Gelfling population and enslaved the Podling people using a magical artifact called the Dark Crystal, which has been broken. This Crystal allows the Skeksis to harvest the life force of Podlings and use it to make themselves younger, with their intention being to rule until the end of time.

In the midst of a dark time in Thra’s history, the last remaining Gelfling embarks upon a prophesied quest to repair the shattered Dark Crystal and prevent the Skeksis from ruling forever. Unlike Labyrinth, there are no human characters in this movie. Every single character is played by a puppet and a voice actor, under the wise tutelage of Frank Oz, who famously portrayed and puppeteered Yoda. The Dark Crystal is a brilliant dark fantasy film oozing with care and compassion, and it stands as one of the most unique high fantasy stories ever crafted.

4

‘The NeverEnding Story’ (1984)

A boy looks at a strange creature in The NeverEnding Story
A boy looks at a strange creature in The NeverEnding Story
Image Via Warner Bros.

The NeverEnding Story is director Wolfgang Petersen‘s first-ever English-language film, and he definitely delivers in just about every department. The story blends the real world and fantasy a bit, opening up with a troubled boy named Bastian (Barret Oliver), who secretly steals a book that is being read by a bookstore owner, even though the owner advises against reading it. The book allows Bastian’s imagination to dive into the mystical world of Fantasia, where another boy approximately his age, Atreyu (Noah Hathaway), is travelling across the land to find a cure for the ailing Empress in order to prevent the world from being destroyed by a force known as The Nothing.

The NeverEnding Story is a hallmark example of fantasy, containing many classic tropes that people immediately think of when they imagine a fantasy story. It’s also a surprisingly faithful adaptation of the novel by Michael Ende, bringing the author’s creations to life in a way that only Hollywood could. It may not look super impressive by today’s standards, but very few films have since matched the sense of childhood wonder and sweeping adventure that this film delivers.

3

‘The Little Mermaid’ (1989)

Ariel looks troubled and sings as Flounder is nearby in Ariel's grotto in The Little Mermaid
Ariel looks troubled and sings as Flounder is nearby in Ariel’s grotto in The Little Mermaid
Image via Walt Disney Studios Motion Pictures

The Little Mermaid is a 1980s animated Disney princess musical that surely needs no introduction. Based upon the popular fairy tale, the film stars Jodi Benson as Ariel, a mermaid princess who is the daughter of Triton (Kenneth Mars), the king of the sea. Ariel might be a mermaid, but she dreams of being human, able to walk on land instead of being confined to the treacherous seas. When a ship crashes nearby, Ariel races to the rescue, falling in love with one of the survivors.

In order to win his heart, Ariel visits the witch Ursula (Pat Carroll), who offers to give Ariel legs in exchange for her gorgeous singing voice. This lovable musical is one of Disney’s all-time classics and is still a film that they have become widely known for, kickstarting the Disney Renaissance and changing the company forever. There are very few kids in America who haven’t at least heard of the movie, or who don’t recognize Ariel and her iconic red hair. It’s got memorable musical numbers, a classic fairy tale setting, and Disney’s signature touch. What more could one ask for in a movie?

2

‘My Neighbor Totoro’ (1988)

Mei Kusakabe, the younger daughter from My Neighbor Totoro with totoro
Mei Kusakabe, the younger daughter from My Neighbor Totoro, with totoro
Image via Studio Ghibli

Pretty much anything Studio Ghibli touches turns to gold, and My Neighbor Totoro is certainly no exception to that trend. Like everything else Ghibli makes, each frame is carefully crafted with so much care, and not a single second is wasted. The whimsical Japanese anime film follows two young girls who move out to the country so that they can be closer to their sick mother, only to meet the wondrous forest spirits and creatures that dwell nearby.

Like many Ghibli films, some of the concepts explored are a little strange, but that doesn’t change the fact that the film is a wonderful childhood adventure that explores the themes of imaginary friends, creativity, kindness, and compassion, encouraging children to find wonder in even the most unassuming of things. My Neighbor Totoro will never grow old, consistently appealing to both Western and Eastern audiences alike.

1

‘The Princess Bride’ (1987)

Westley about to kiss Buttercup while laying on the grass in The Princess Bride
Westley and Buttercup look lovingly at each other in ‘The Princess Bride’
Image via 20th Century Studios

The Princess Bride is both a fantasy story and a tongue-in-cheek parody of fairy tales, but that’s part of the reason why people love it so much. Framed as a grandfather reading a storybook to his sick grandchild, The Princess Bride follows Princess Buttercup (Robin Wright), who falls in love with a farmboy named Westley (Cary Elwes). Though their love is budding, Westley embarks upon a journey and is presumed lost at sea. Later, Buttercup is betrothed to Prince Humperdinck (Chris Sarandon), a man whom she most certainly does not love. Luckily for her, Westley reemerges, intending to save Buttercup from marrying Humperdinck.

This seminal and beloved movie is timeless and is perhaps one of the most perfectly cast fantasy movies ever released. Between André the Giant as Fezzik, Shawn Wallace as Vizzini, and Mandy Patinkin as Inigo Montoya, even the side characters are absolutely spot-on. It’s a heartwarming tale of romance, adventure, and nostalgia, which is why it’s easily the single greatest fantasy movie of the 1980s.

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Dawson Nyffenegger
Almontather Rassoul

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