Any serious photographer knows the importance of great glass. And while I’ve had the personal pleasure of testing the best cameras for 2026 so far, innovative lenses get me even more excited.
Only a true macro lens can bring the insect kingdom to life, or a telephoto optic get you close to distant wildlife, or a fast prime bag you punchy portraits with dreamy bokeh.
With that in mind, I regularly review the latest lenses as well as cameras, and I’ve played with some real crackers this year. These include Sony‘s overdue macro lens upgrade, Sigma’s world first 135mm with an f/1.4 aperture, Viltrox’s impossibly tiny 28mm f/4.5, Canon‘s affordable f/1.2 prime, and Nikon’s fabulous 70-200mm F2.8 Mark II.
Each of the above lenses serve different use cases, and they come in at varied price points, starting at just $99 / £90 / AU$169. Let’s dive into my top five lenses for 2026 so far…
Viltrox AF 28mm F4.5
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- Release date: Staggered release for various mounts
- Lens mount: Sony E, Nikon Z, Fujifilm X
- Verdict: 4/5
The Viltrox AF 28mm F4.5 was first launched in 2025 for Sony E-mount, but it has been released for various lens mounts in 2026, including Nikon Z and Fujifilm X. I expect an L-mount version will land soon.
It’s an impossibly small wide-angle prime considering that it features autofocus, full communication with the camera, and an impressively fast f/4.5 aperture. It’s so small, in fact — measuring just 15.3mm in length and weighing just 2.1oz / 60g — that I’d describe it more as a body-cap lens than a pancake lens, with a neat sliding lens cover, and it costs just $99 / £90 / AU$169, with occasional sales knocking 10% or so off the price.
I’d describe image quality as characterful rather than technically precise, with detail being fairly soft in the corners, and some obvious vignetting. In the center of shots, however, it’s actually pretty sharp. It’s a full-frame lens, but the Viltrox 28mm F4.5 actually makes even more sense for Sony, Nikon and Fujifilm’s APS-C cameras, because the 1.5x crop effectively transforms the lens into a 42mm optic, plus the softer corners are outside the image area.
The Viltrox lens is so small and so cheap that it’s a zero risk purchase, and one that I’d happily keep on my camera instead of a body cap and for quick everyday snaps.
Read my Viltrox AF 28mm F4.5 review
Sigma 135mm F1.4 DG Art
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- Release date: January 31 (announced late 2025)
- Lens mount: Sony E, L-mount
- Verdict: 5/5
World-first is a term that’s banded around a lot, usually with caveats, but Sigma’s pro portrait prime is a true first — a 135mm lens with a maximum f/1.4 aperture. I’ve tested my fair share of 135mm f/1.8 lenses recently, including the Viltrox 135mm and Nikon Plena, while Sigma has its own that’s now nine years old, but Sigma’s latest offering has an even faster aperture and creamier bokeh for the ultimate portrait photography quality.
It’s a beast of a lens, mind you, weighing 50.4oz / 1,430g, and with a massive front lens element and 105mm filter thread. If you’re willing to lug the lens around, though, you’ll be rewarded with “razor-sharp detail” and “stunning shallow depth of field”, as we noted in our in-depth review, with the lens earning a perfect five-star rating.
Currently the Sigma 135mm F1.4 DG Art is available for Sony E and L-mount cameras; pro Nikon photographers can only hope that a Z-mount version is on the way soon.
Read my Sigma 135mm F1.4 DG Art review
Sony FE 100mm F2.8 Macro GM OSS
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- Release date: January 15
- Lens mount: Sony E
- Verdict: 5/5
If there was a Sony E-mount lens that needed updating, it was the 10-year-old Sony FE 90mm f/2.8 Macro G OSS — Sony’s only true macro lens. Thankfully, 2026 delivered the new Sony FE 100mm F2.8 Macro GM OSS, and it’s a notable improvement on the 90mm original in just about every regard.
With “improved optics, faster autofocus, steadier stabilization, greater magnification, increased zoom and teleconverter compatibility”, we concluded in our review that the new Sony 100mm is “the go-to macro lens for Sony working pros who make an income from close-up pictures, whether it’s product photography, still life, flat lays or macro nature shots”.
Key features include the new maximum magnification, which was upped from 1x to 1.4x, plus its compatibility with teleconverters to further extend its reach. Compared to Sony’s other macro lens, the new 100mm macro is in another league, and very much merited its five-star review rating. It’s not the first optic of its kind — Canon walked this path years before with its own 100mm macro with 1.4x magnification. Still, Sony photographers finally have the macro lens their cameras deserve.
Read my Sony FE 100mm F2.8 Macro GM OSS review
Canon RF 45mm F1.2 STM
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- Release date: November 6 (reviewed in March 2026)
- Lens mount: Canon RF
- Verdict: 3.5/5
What’s this now — an affordable f/1.2 prime lens from Canon? Pick my jaw off the floor. True, it’s far from being a perfect lens, but Canon’s 45mm F1.2 STM makes a fast aperture and the attendant shallow depth of field potential available to beginners who would otherwise be priced out of owning such a lens.
We gave the lens a 3.5 star-rating because of its optical flaws; there’s significant chromatic aberration and “swirly distracting bokeh”. It doesn’t even come with a lens hood. However, we’ve got to respect what this lens represents, and Canon for delivering it.
Not only is this the most affordable proprietary f/1.2 full-frame lens for any lens mount, but Canon also makes the most affordable mirrorless cameras. I can see the 45mm F1.2 STM pairing nicely with an entry-level full-frame mirrorless camera such as the EOS RP and EOS R8, and even with an APS-C model like the EOS R100, on which you’re getting an effective 70mm lens (approx).
Where rival brands are typically ignoring beginners and putting their efforts into high-end gear, Canon is regularly delivering new cameras and lenses for all budgets and skill levels.
Read my Canon RF 45mm F1.2 STM review
Nikkor Z 70-200mm f/2.8 S II
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- Release date: February 23
- Verdict: 5/5
If there’s one lens for 2026 that I desperately want to add to my bag permanently, it would be the Nikon Z 70-200mm f/2.8 S II. Granted, I’m a Nikon shooter who regularly works at these focal lengths, who is also in need of upgrading (I still use the DSLR version of this lens via an adapter), but that’s not to take away from what I called a “flawless” telephoto zoom.
It follows the 24-70mm f2.8 S II in being a second-generation upgrade of what was already an excellent Z-mount zoom lens, bringing a lighter build, fully removable tripod collar and teleconverter compatibility. The lighter design is thanks to an entirely new optical design that’s somehow simpler and sharper at the same time, while also improving close-focusing capabilities.
There’s probably not enough reason for owners of the original Z-mount 70-200mm to upgrade, especially given the jump in price, but for everyone else there’s arguably no greater 70-200mm f/2.8 available — and it’s the kind of lens I’ve relied on for so many shoots down the years. With the Mark II version now available, I finally feel like it’s time to upgrade from my aged DSLR lens.
Read my Nikon Z 70-200mm f/2.8 S II review
What do you think of the lenses above? Are there any other new lenses that appeared in 2026 that you particularly like? Have you say in the comments.
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