Although we are used to her starring in hilarious comedies or touching romance efforts, Rachel McAdamsstunned theatrical audiences earlier this year with a gruesome, pulsating lead performance in The Evil Dead director Sam Raimi‘s recent return to horror after 17 years: Send Help. A showcase of her range, the film was an undeniable success, earning almost $100 million at the global box office, helped largely by the impressive discourse surrounding this performance.
From her lovable turn in Richard Curtis‘ heartwarming About Timeto starring alongside Ryan Gosling in the tear-jerking The Notebook, McAdams has blessed audiences with top performances for over two decades. However, no performance by this Academy Award-nominated actress has proved more enduring than Regina George in the iconic chick flick Mean Girls. Written by Tina Fey and directed by Mark Waters, this sidesplitting, effortlessly quotable 2004 film has defined a genre of filmmaking for 22 years, with McAdams’ George rewriting the way high school Queen bee is villainized in movies.
But McAdams isn’t the only beloved actress at the top of their game in Mean Girls, with Lindsay Lohan’s lead performance supported by memorable turns from Amanda Seyfried and Lacey Chabert. For the many similar movies that came after, most tried to recreate the Mean Girls magic, including a direct-to-video sequel and a 2024 reimagining. However, none could quite touch the near-perfection of the original, which is why, after two decades, it’s still proving popular. At the time of writing,Mean Girls is one of the ten most-streamed movies on Paramount+ in the U.S., a list topped by the 2026 horror gem Primate. In Australia, the film is currently the most-watched of any on Paramount+.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
‘Mean Girls’ Was a Box Office Success
Not just a hit with critics, labeled “terrific” by one and “near the top of the class” by another, Mean Girls was also a box office success. Against a small budget of just $18 million, the movie earned a global haul of $130 million, split between $86 million in domestic revenue and $44 million from overseas markets. The 2024 reimagining, despite benefiting from inflation, couldn’t match the haul of the original, falling short with just $104 million against a doubled production budget of $36 million.
The chick flick classic Mean Girls is currently available to stream on Paramount+. Stay tuned to Collider for the latest streaming stories.
