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Throughout the late 1970s and ‘80s, Sylvester Stallone was an action star who demanded to be taken seriously. In early work from Rocky to Rambo, there was almost this refusal to wink at the audience — a solemnity to whatever battle was unfolding on-screen, whether Stallone’s leading man was fighting for his life in the ring or on the run. But by the 1990s, Stallone’s reign as action star had taken on some levity. Call it a product of the time or simply a product of Stallone learning to have a little more fun with his career, but his third decade as a screen legend involves significantly more humor and self-deprecation than what came before.
Case in point: 1993’s Demolition Man. What could have been a completely earnest and straightforward cop-versus-criminal thriller is instead a gleefully over-the-top blend of sci-fi action and comedy. The result is a film that has aged far better than many of its contemporaries, thanks largely to its willingness to poke fun at both action movie clichés and the culture surrounding them. First-time director Marco Brambilla and screenwriter Daniel Waters (of Heathers fame) leaned into the absurdity — and in doing so, didn’t just create a fun popcorn flick, but ended up predicting the future of our increasingly stupid reality 33 years later.
‘Demolition Man’ Is as Much a Satire of Stallone As It Is of Society
The setup: In 1996, reckless Los Angeles cop John Spartan (Stallone) and homicidal criminal Simon Phoenix (Wesley Snipes) are both sentenced to cryogenic imprisonment after a disastrous hostage rescue goes horribly wrong. Decades later, Phoenix escapes into the futuristic city of “San Angeles,” where society has progressed so much that cops now have very little experience dealing with violent criminals of his ilk. With no one else on the force capable of stopping him, authorities thaw Spartan and ask him to hunt down his old foe.
Stallone plays Spartan completely straight-faced, but that doesn’t mean he’s not having fun with it. Much like his performance in Judge Dredd a few years later, Stallone’s the comedic foil that makes the whole ridiculous thing work. Demolition Man imagines a very stupid future — not unlike, say, Idiocracy — that make no-nonsense Stallone types feel antiquated. Here, you’ve got a stoic action star thrust into a future where profanity is illegal, fast food places are all Taco Bell, and toilet paper has been replaced by three mysterious seashells. Stallone’s self-seriousness in the face of all this is what lands every joke.
And if that’s not clear enough of a joke, there’s also the supporting cast of comedians to consider. Denis Leary steals scenes as underground resistance leader Edgar Friendly, there to deliver the kind of sarcastic, rapid-fire monologues that made him a comedy star for a minute. Rob Schneider’s also on hand, as is Jack Black in a blink-and-you’ll-miss-it background role. They join a very game Sandra Bullock as Stallone’s partner, plus the aforementioned Snipes, who’s clearly having the time of his life.
It’s So ’90s It Hurts — But It Still Holds Up More Than Three Decades Later
What separates Demolition Man from the countless other action-thrillers in Stallone’s oeuvre is how confidently it embraces its comedy. Rather than simply imagining flying cars and futuristic weapons, the film builds an entire society around exaggerated ideas of policed speech, strict public health, and corporate homogenization, with both sides taking hits. At the time of its release, it certainly felt like more of a critique of the newly established Clinton administration than the recently concluded Reagan-then-Bush run. Rampant consumerism, extreme public health initiatives, mass surveillance, laws governing people’s sexuality… But when viewed in 2026, the target of its Brave New World-inspired spoof has changed sides.
Critics were (and, often, still are) divided on this one, but one thing they could agree on was that Demolition Man was more self-aware than the average Stallone blockbuster. Audiences showed up for it, too: It grossed $159 million worldwide, which is only further proof of this being one of the actor’s best. Present day, Demolition Man still entertains. The way it blends together explosive action, broad comedy, science-fiction world-building, and a wacky ensemble shouldn’t work, but it still does. Check it out while it’s currently streaming free on Tubi.
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Nate Williams
Almontather Rassoul




