8 Great Sci-Fi TV Shows With Plot Holes Too Big To Ignore



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The following article contains spoilers.It’s not easy to write a sci-fi show that’s truly perfect. This is, after all, a genre that lends itself perfectly to ambitious imagination, which is something that can sometimes result in plot holes that are impossible to ignore. This doesn’t necessarily ruin a sci-fi show, however. In fact, there are several genuinely great sci-fi series that nevertheless have a few plot holes that one can’t just look past.

From modern shows like Westworld to classics like The X-Files, these exceptional series are proof that, even with a few logical inconsistencies in the script here and there, a sci-fi show can still manage to be great. These are, indeed, shows with a nearly innumerable number of positive qualities, which are by no means ruined by the rugged edges of their writing.

8

‘Westworld’ (2016–2022)

Evan Rachel Wood as Dolores and James Marsden as Teddy standing by their horses in Westworld Season 1 Episode 1
Evan Rachel Wood as Dolores and James Marsden as Teddy standing by their horses in Westworld Season 1 Episode 1
Image via HBO

When talking about HBO’s dystopian sci-fi Western Westworld, Jonathan Nolan and Lisa Joy‘s adaptation of Michael Crichton‘s 1973 film of the same name, there’s a fact that most fans tend to agree on: the show’s first season is an undeniable masterpiece, even if the following three seasons saw a considerable decline in quality. Some may argue that that’s caused this to be one of those thriller TV shows that have aged like milk, but most sci-fi fans would agree that Westworld is still a fantastic show, even in spite of its issues.

Among those issues is a number of plot holes too significant to simply look away from. Dolores’ plans are at times a bit too contrived, the park’s security is absurdly inconsistent, the purpose of season two’s finale’s last scene… The list goes on. It’s fair to say that a few of the show’s most prominent unanswered questions might have been addressed and satisfactorily explained if the series hadn’t been canceled after season four, but even still, no matter how fun it is and how airtight its first season seems, Westworld is still a slice of Swiss cheese of a show.

7

‘Fringe’ (2008–2013)

John Noble's Walter in a lab coat on Fringe 
John Noble’s Walter in a lab coat on Fringe
Image via FOX

Fringe starts out as a more episodic sci-fi show, inspired by the likes of The X-Files and The Twilight Zone, in its first season. After that, however, that mystery-of-the-week-type show starts transforming into a far more serialized and entertaining hybrid between procedural and sci-fi elements. This makes it one of the most rewatchable sci-fi shows ever, but, alas, rewatches will inevitably reveal the show’s many unexplainable plot holes.

From the rules of parallel universe travel feeling inconsistent from episode to episode, to the paradox of Peter’s existence never being fully coherent or satisfyingly explained, there are a bunch of plot elements in Fringe that are impossible to reconcile. This hardly ever matters, though—this is still one of the most fun sci-fi shows of 21st-century broadcast television, and even if its narrative about parallel universes may not be entirely flawless, it’s still a blast to follow.

6

‘The 100’ (2014–2020)

Clarke Griffin (Eliza Taylor) with a walkie-talkie as Bellamy Blake (Bob Morley) stands near in The 100.
Clarke Griffin (Eliza Taylor) stands holding a walkie-talkie to her mouth while Bellamy Blake (Bob Morley) stands in front of her in ‘The 100’ (2014-2020).
Image via The CW

The 100 is the type of sci-fi show that got darker and better every season, a post-apocalyptic teen gem (based on Kass Morgan‘s YA novel series of the same name) that demonstrates the peak of The CW’s capacities as a network. But like pretty much every other YA dystopian story of the 2010s, a decade during which the genre saw the biggest boom in its history, The 100 doesn’t quite manage to be free of fault.

Heroes acting out of character is a common occurrence in The 100, and the number of radiation-related plot holes is also far too large to count. There are also a few problems with how much sense technological and societal development align with the timeline since the apocalypse. But when a show is this intense, has such consistently high stakes, has such strong character development, and takes full advantage of what the sci-fi genre has to offer, it becomes far easier to ignore a few plot contrivances here and there.

5

‘Lost’ (2004–2010)

Matthew Fox and Daniel Dae Kim help an injured Naveen Andrews in Lost (2004-2010).
Matthew Fox and Daniel Dae Kim help an injured Naveen Andrews in Lost (2004-2010).
Image via ABC

Over the course of the 2000s, Lost was far and away one of the biggest shows on television. Everyone in the pop culture zeitgeist seemed to be having conversations about this pioneer of the mystery box genre, a type of show that relies on vast and highly complex stories full of secrets and surprises. That’s the best way to describe Lost, a mystery sci-fi show that brought up at least two more mysteries every time it decided to have one solved.

However, that focus on twists, questions, and mysticism inevitably led the show to fall into a few plot potholes on the road to its divisive finale. The rules of the island are inconsistent and impossible to fully explain, and key mysteries like the significance of the iconic number sequence remain equally worthy of head-scratching 16 years after the show ended. But even still, Lost is one of those classic thriller shows that have aged remarkably well, a gem of the genre with one of the most fascinating mythologies of any show of its kind—even if that mythology has more than a few holes.



















































Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

🏜️Dune

🚀Star Wars

01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.


The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.


The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.


Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.


Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.


A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.

4

‘Stranger Things’ (2016–2025)

The kids sitting at school desks look back in a classroom in the MADMAX episode of Stranger Things.
The kids sitting at school desks look back in a classroom in the MADMAX episode of Stranger Things.
Image via Netflix

Controversial final season notwithstanding, there’s no denying the tremendous impact that Stranger Things had not only on the Netflix catalog, but on pop culture as a whole. Despite wearing its ’80s influences on its sleeve with love and nostalgia, the originality of this delightfully fun, scary, and emotional adventure sci-fi show is on par with any other of the genre’s best modern outings. However, there are plenty of Netflix shows full of plot holes, and Stranger Things is no exception.

Alas, a solid number of Stranger Things‘ plot holes come from its final season. Why was Dimension X so devoid of monster goons? How did the government back down so easily? Why wasn’t Will affected by Vecna’s death? But even the previous four seasons had issues, like the murky rules of the Upside Down and the abundance of plot armor and deus ex machinas saving characters from otherwise inescapable situations. Stranger Things is a fantastic show overall, but the imperfections of its writing are undeniable.

3

‘Doctor Who’ (1963–Present)

David Tennant and Billie Piper look up at something off-screen with concerned expression in Doctor Who.
David Tennant and Billie Piper look up at something off-screen with concerned expression in Doctor Who.
Image via BBC

Sometimes, sci-fi fans are looking for a show that they’ll be able to enjoy for several months. For that, there are plenty of great sci-fi shows longer than five seasons out there. But for those who really want a show that will work as a hell of a time investment, what better option could there be than the longest-running science fiction TV show in history? It went through a 16-year hiatus, but Doctor Who is still the currently-running sci-fi show with the longest and richest history.

It should surprise no one, though, that over the course of that very long history, Doctor Who has run into plot holes the size of the TARDIS’ interior. From the Doctor’s age to the nearly canon-destroying “Timeless Children” story, the sheer number of Doctor Who plot holes is almost unbelievable. But in a show this consistently fresh and fun, one where anything is possible, and the narrative can always practically fix itself, plot holes become an essential part of the series’ charm.

2

‘The X-Files’ (1993–2018)

Doggett (Robert Patrick), Scully (Gillian Anderson), and Skinner (Mitch Pileggi) on The X-Files.
Doggett (Robert Patrick), Scully (Gillian Anderson), and Skinner (Mitch Pileggi) on The X-Files.
Image via FOX

The X-Files revolutionized televisual science fiction, but even setting aside its tremendous historical impact, this ’90s classic would still be one of the most enjoyable and well-made shows in the genre’s history. Bolstered by Gillian Anderson and David Duchovny‘s off-the-charts chemistry, as well as the endlessly fun dynamic between Mulder and Scully, it’s no wonder that this has remained one of the most iconic sci-fi cult classics in the history of television for as long as it has.

It’s easily one of the best sci-fi shows of the ’90s, but that doesn’t mean that it’s without problems. Characters coming back from the dead in ways that strain credibility, Scully always conveniently missing proof of the paranormal’s existence so that it’s logical for her to remain a skeptic, the Cigarette Smoking Man’s confusing connection to the Mulders… There’s no shortage of plot elements in The X-Files that defy logic.

1

‘Battlestar Galactica’ (2004–2009)

Adam and Tigh leaning together
Adam and Tigh leaning together
Image via SyFy

Battlestar Galactica is one of those sci-fi shows that hold up surprisingly well, a phenomenal, dark, and mature series that reimagines the 1978 show of the same title. It’s a direct thematic response to the United States’ post-9/11 years, but also a universally enthralling gem that every fan of the genre—no matter where in the world they’re from—should be able to vastly enjoy. Gritty, character-driven, and constantly defined by the high stakes of its narrative, it’s a must-see for people who love science fiction.

But though it’s generally agreed to be one of the 21st-century sci-fi series that approaches perfection the most, that approach is by no means complete, particularly considering the story’s many plot holes. The reveal of the Final Five Cylons, Dee’s abrupt death, and the fuzzy rules of Cylon resurrection are but a few of the examples that shed light on how messy Battlestar‘s writing could sometimes get. But is it still one of the greatest shows that the genre has ever seen? Absolutely. If anything, this is proof that plot holes don’t necessarily ruin a sci-fi show that’s otherwise phenomenally made.

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https://collider.com/sci-fi-shows-with-plot-holes/


Diego Pineda Pacheco
Almontather Rassoul

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