Television has always had a fascination with watching people get beaten up — and audiences seem to love it. Social norms tell us that aggression is unacceptable, but fictional television allows those boundaries to disappear. It creates worlds where people can settle their differences with their fists, swords, guns, or anything else at their disposal and somehow live to fight another day. That thrill is one of the reasons the action genre remains so popular.
Whether it’s paired with a sci-fi premise or rooted in traditional martial arts, action can take many forms. Yet not every great action series gets the recognition it deserves. Some were canceled before they could find a wider audience, while others premiered long before social media could make them relevant. Deserving of another second viewing, here are the near-perfect action shows that no one remembers today.
‘Deadly Class’ (2019)
Benjamin Wadsworth as Marcus looking at a person offscreen in Deadly Class =Image via SYFY
If your day at high school isn’t tough enough, try King’s Dominion — the go-to institution for teen assassins. Based on the comics by Rick Remender and Wesley Craig, the short-lived Deadly Class is set in 1980s America, where some of the world’s most promising killers train under one roof. From yakuza prodigies to the children of CIA agents, new kid Marcus Lopez (Benjamin Wadsworth) is the black sheep of the flock.
Nobody is more volatile than a hormonal teenager with a weapon — now multiply that by dozens, and you have the entire Deadly Class student body. With classes ranging from poison to assassin psychology, getting an A can be a matter of life or death. Sometimes, it even requires these students to go for the kill. Because they come from such diverse criminal backgrounds, it’s especially fun to watch them clash, using their own unique fighting styles and weapons of choice against one another.
‘Dark Angel’ (2000–2002)
Max (Jessica Alba) working out in Dark Angel.Image via FOX
If Totally Spies! and Nikitawere combined, the result would probably look a lot like Dark Angel. Television loves a butt-kicking femme fatale, especially one like super-soldier Max Guevara (Jessica Alba). Set in a future where the government has collapsed, the series follows Max, a genetically enhanced soldier who escapes from a secret military program and finds herself surviving on the streets of Seattle. While hiding from the agents determined to bring her back, Max teams up with a cyber-journalist to navigate a post-apocalyptic America.
Traditionally, femme fatales are broody and mysterious, but Max brings a lot more snark and sass to the role. The fact that she’s genetically enhanced means her stunt work often feels larger than life — she leaps onto moving cars, survives falls from buildings, and can take down opponents twice her size. Yet despite her superhuman abilities, her combat scenes have a sense of playfulness. It’s a refreshing twist that allows Max to break free from the typical stoic-super-soldier archetype.
‘Banshee’ (2013–2016)
Antony Starr outside a shanty bar by a police car with a sheriff star on his shirt in Banshee.Image via Cinemax
BeforeAntony Starr shot lasers out of his eyes as Homelander, he played ex-con and master thief Lucas Hood. If The Boys leans into flashier, more stylized action choreography, Bansheegoes back to basics. When Hood is released from prison, he takes on the identity of a murdered sheriff and rises in the Amish town of Banshee, only to realize that the town is anything but peaceful. Just as Hood thinks he can escape a life of crime, he finds that old ties still need to be tied up.
Banshee features good old-fashioned, bone-crunching fistfights. There’s hefty weight behind every punch and throw, and with all the damage inflicted, the fights can be almost exhausting to watch in the best way. These are the kinds of beatdowns that would realistically put someone in a wheelchair, but for the sake of fiction, Hood — and Banshee’s law enforcement — miraculously survive each encounter, though not without a few jarring bruises.
‘The Recruit’ (2022–2025)
Noah Centineo sits at a metal table as Owen Hendricks in ‘The Recruit’.Image via Netflix
The first day on the job can always be nerve-wracking. Unfortunately, newly-minted CIA lawyer Owen Hendricks (Noah Centineo) has bitten off more than he can chew. More accustomed to office work and bureaucratic procedures, Hendricks is assigned to investigate a threatening graymail letter from a former asset. When the asset threatens to expose CIA secrets to the public, he is immediately thrust into the field.
The Recruitis a classic case of theory versus practice. Hendricks quickly realizes that his law degree is the last thing he’s going to use in this line of work. What sets him apart from the other lawyers, however, is his primal appetite for adrenaline. It’s the reason he’s such a magnet for trouble. Despite having no formal combat training, Hendricks relies on a sloppy yet survivalist fighting style, combined with a desperate determination not to get killed. As a result, he’s constantly forced to improvise, using whatever is available to disarm those trying to hurt him.
Collider Exclusive · Action Hero Quiz Which Action Hero Would Be Your Perfect Partner? Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt
Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.
🎖️Rambo
🍸James Bond
🏺Indiana Jones
🔧John McClane
🎭Ethan Hunt
01
You’re dropped into a dangerous situation with no warning. What do you need most from a partner? The first few seconds tell you everything about who belongs beside you.
02
You have to get somewhere dangerous, fast. How do you travel? How you get there is half the mission.
03
You’re pinned down and outnumbered. What does your ideal partner do? This is when you find out what someone is really made of.
04
The mission is paused. You have one evening to decompress. What does your partner suggest? Who someone is when the pressure drops is who they actually are.
05
How do you prefer your partner to communicate mid-mission? Good communication is the difference between partners and a liability.
06
Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them? The approach to the enemy defines the partnership.
07
Things go badly wrong and you’re captured. What do you trust your partner to do? Who someone is when you need them most is the only thing that matters.
08
What does your ideal partner bring to the table that you couldn’t replace? A great partner fills the gap you didn’t know you had.
09
Every partnership has a cost. Which of these can you live with? No one comes without baggage. The question is whether you can carry it together.
10
It’s the final moment. Everything is on the line. What do you need from your partner right now? The last question is the most honest one.
Your Partner Has Been Assigned Your Perfect Partner Is…
Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.
Rambo
Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.
James Bond
Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.
Indiana Jones
Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.
John McClane
Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.
Ethan Hunt
Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.
‘Spartacus’ (2010–2013)
Liam McIntyre as SpartacusImage via Starz
In 71 BC, Thracian warrior Spartacus (Andy Whitfield and Liam McIntyre) is betrayed by a Roman commander and condemned to slavery. Forced into the world of gladiatorial combat, he rises through the ranks at the House of Batiatus while secretly harboring a strong desire for vengeance. As his fame grows, so does his rebellious streak.Spartacus leads a massive slave uprising, threatening the Republic and those who obey the orders of Marcus Licinius Crassus (Simon Merrells).
Although it shares a similar premise with Ridley Scott‘s Gladiator, the multi-season format of Spartacusgives it the opportunity to fully flesh out its gladiatorial battles. Unlike the gritty realism of Gladiator, Spartacus embraces a more animated approach, carrying greater momentum and a distinct comic book-like pizzazz. The series is packed with slow-motion violence, warriors leaping through the air as they drive their blades into their enemies, and, of course, plenty of blood spraying across the arena.
‘Warrior’ (2019–2023)
Andrew Koji and Joe Taslim fighting in Warrior Season 3Image via HBO Max
If there’s a show that feels like a love letter to martial arts, it’s Warrior. And it makes sense — the original concept for the series was first developed by Bruce Lee in 1971, initially titled Ah Sahm. Although it took nearly half a century to finally materialize, Warrior does not disappoint. Following Chinese immigrant Ah Sahm (Andrew Koji), he arrives in San Francisco seemingly looking for work in the late 1800s, only to find himself drawn into one of the most notorious gangs in Chinatown.
Warrior is a crash course in different styles of martial arts. On one hand, there’s Ah Sahm with his Wing Chun-inspired fights, defined by close-range combat and relentless punches. On the other hand, there’s Li Yong (Joe Taslim), whose Pencak Silat-inspired moves rely on low stances and brutally precise finishing strikes. Warrior is a true homage to fighting as an art form instead of some gimmick for shock value, showing how combat becomes a brutal universal language across cultures.
‘Arrow’ (2012–2020)
When it comes to the bow and arrow, nobody does it better than Oliver Queen (Stephen Amell). Arrowmight have drawn a massive following during its early seasons, but somewhere along the way — like many comic book superhero adaptations — it lost the plot and its relevance, shifting into a more soap-opera-like tone after Season 2. Creative choices aside, Arrow taught the world that in a world where villains love using guns, the bow and arrow can be just as fast and deadly as a bullet.
The action in Arrow is swift and light (no pun intended), featuring tons of acrobatic stunts. A lot of the movement requires quick reflexes. It only takes a few seconds for an arrow to pierce through an enemy’s heart, which explains why much of the choreography is exhilaratingly fast-paced. But even without his weapon of choice, Arrow knows how to pummel his rivals to the ground with his strong physique. Robin Hood, eat your heart out.
