The 20 Best NC-17 Movies Ever Made, Ranked



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Content Warning: The following article contains discussions of sexual abuse, rape, pedophilia, drug use, and gun violence.Most film directors try to avoid the dreaded NC-17 rating like the plague. It has long been considered the kiss of death, deterring audiences and stirring up negative connotations. The NC-17 rating replaced the equally bad “X-rating” in 1990 and has been a point of controversy for general movie-goers ever since.

To many cinephiles, though, the NC-17 rating is a point of interest and even a badge of honor. It’s incredibly rare for mainstream movies to get slapped with the rating, so when movies do, it generates quite a bit of curiosity around them. Regardless of the label, American culture is still obsessed with the forbidden, the sexual, and the shocking, and NC-17 movies will always hold an important place in the film world, with some incredible stories. While NC-17 movies like these are admittedly in decline, with Netflix’s divisive 2022 film Blonde being an exception, there’s no shortage of classic films to choose from for viewers who are curious to see what stories, scenes, and characters can earn this (often dreaded) rating.

20

‘Bad Education’ (2004)

Gael García Bernal dressed as a woman and smoking in 'Bad Education' Image via Warner Sogefilms

Pedro Aldomovar is one of film history’s most talented exhibitors of desire and identity in all their complexity. In Bad Education, one of his most multifaceted and extraordinary films, director Enrique (Fele Martinez) is approached by an actor, Angel (Gael Garcia Bernal), claiming to be Enrique’s first love, Ignacio. Ignacio also bears a script describing the pair’s time at a Catholic boarding school. What starts as engagement over a new script becomes a shared reckoning of the past, propelled by a series of jaw-dropping twists that shouldn’t be spoiled.

It’s a thematically heavy film, contending with issues of desire, trauma, sexual abuse, crime, and life under the authoritarian Franco regime. It’s a lot. It’s also very good, easily one of the best NC-17 movies of all time, with an exceptional performance at its center from Gael Garcia Bernal. It’s worth noting that the MPAA awarded the film an NC-17 rating for one specific scene that frankly depicted gay sex, a stark reminder of the subjective and political nature of MPAA ratings. —Jeff Ewing

19

‘In the Realm of the Senses’ (1976)

Sada with a knife between her teeth in In the Realm of the Senses
Sada with a knife between her teeth in In the Realm of the Senses
Image via Argos Films

In the Realm of the Senses traces the life of geisha Sada Abe (Eiko Matsuda), following her intense (to put it mildly) affair with the married owner, Kichizō Ishida (Tatsuya Fuji), of the hotel where she now works as a maid. They’re obsessed with each other, having copious amounts of sex and proclaiming mutual infatuation. Sada Abe’s obsession takes a dark turn, however, as their increasingly sadomasochistic sexual practices result in Ishida’s death… and then dismemberment by his former lover. What begins as a highly charged story of sexual attraction turns obsessive, and, like it often does in film history, obsession leads to tragedy.

Like a few films on this list, there’s a lot of sex and nudity here, and much of it is unsimulated. While the movie is Japanese, it was a French co-production, which is how it was able to escape Japan’s laws restricting depictions of sexual acts. In the Realm of the Senses was widely banned around the globe, and was originally given an X rating in the United States before the rating was changed to NC-17. It’s a gorgeously shot film with strong performances and an intriguing exploration of the thin line between obsession and madness, making for Nagisa Oshima‘s best film. —Jeff Ewing

18

‘Lust, Caution’ (2007)

Tony Leung as Mr. Yee Wong looking at Tang Wei as Chia Chi in Lust, Caution.
Tony Leung as Mr. Yee Wong looking at Tang Wei as Chia Chi in Lust, Caution.
Image via Focus Features

Ang Lee‘s gorgeous romance thriller Lust, Caution follows a young woman, Wong Chia Chi (Tang Wei), who becomes involved in a plot to assassinate the intelligence agent Mr. Yee (Tony Leung Chiu-wai), who had been helping the occupying Japanese government in Hong Kong. As his seducer, she falls too deep and into dangerous territory. The beautiful historical thriller won Ang Lee his second Golden Lion at the Venice International Film Festival, and it’s one of the most gorgeous films of its year (shot by legendary DP Rodrigo Prieto).

The film contains sex scenes so realistic that rumors persisted that they were unsimulated, resulting in the film’s banning in some countries. Tang Wei herself was blacklisted for three years from working in the mainland Chinese film industry due to her participation in the film. In the U.S., it was rated NC-17 by the MPAA for said sex scenes, eventually becoming the highest-grossing NC-17 film of all time besides its recognition as an exceptional historical erotic thriller. —Jeff Ewing

17

‘Blonde’ (2022)

Ana De Armas as Marilyn Monroe in a pink dress and red lipstick in 'Blonde.'
Ana De Armas as Marilyn Monroe in a pink dress and red lipstick in ‘Blonde.’
Image via Netflix

Director Andrew Dominik‘s Blonde became a hot topic of discussion following its premiere in 2022. Aside from making history by becoming the first NC-17-rated film released exclusively on a streaming service, it became controversial due to its divisive, some argue, unethical portrayal of Marilyn Monroe.

Blonde does some things well, notably Ana de Armas‘ captivating performance as the iconic actress, which has cemented her as one of the most important actors of her generation. However, its exploitative depiction of Monroe’s alleged experiences, despite being called fictional, far outweighs any of the positive aspects that make it worth watching.

16

‘The Dreamers’ (2003)

Louis Garrel and Eva Green smoking cigarettes and looking serious in The Dreamers.
Louis Garrel and Eva Green smoking cigarettes and looking serious in The Dreamers.
Image via Fox Searchlight

The subversive romantic drama film The Dreamers is set in Paris in 1968 and revolves around a romantic relationship between three friends: an American exchange student called Matthew (Michael Pitt) and two French siblings, Isabelle (Eva Green) and Théo (Louis Garrel). Directed by Bernardo Bertolucci, the film delves into issues of sexuality, politics, and the social unrest of the 1960s.

The film has several graphic sexual scenes and explicit nudity, which is why it was rated NC-17. Furthermore, the film is famous for its graphic and erotic depiction of sexuality, which some consider offensive. New viewers may appreciate its strong overarching message of sexual liberation, which is apparent in the way the characters experiment and sexually express themselves with one another.

15

‘Crash’ (1996)

Three people sit on a couch, two look blankly ahead while one smokes a cigarette in Crash, 1996.
Three people sit on a couch, two look blankly ahead while one smokes a cigarette in Crash, 1996.
Image via The Movie Network

Acclaimed director David Cronenberg‘s Crash is a psychological thriller film based on an eponymous 1973 book by J.G. Ballard. The movie follows the story of a group of people in and around Toronto who develop a sexual obsession with vehicle crashes. The film delves into subjects such as human sexuality, fetishism, and technology in shocking and often downright bizarre ways.

It’s no surprise that Crash was rated NC-17 for its violent sexual content and violence, as well as its main topic, which was deemed too controversial for an R rating. The movie contains multiple explicit sexual encounters and violent situations that were judged too graphic for a broad audience. Furthermore, the film’s subject matter, which deals with car crash fetishism, was seen as being too shocking and unorthodox. That said, the movie has gone on to become a cult classic among Cronenberg fans.

14

‘The Devils’ (1971)

Sister Jeanne des Anges (Vanessa Redgrave) on her knees in the middle of other nuns in The Devils (1971). 
Sister Jeanne des Anges (Vanessa Redgrave) on her knees in the middle of other nuns in The Devils (1971). 
Image via Warner Bros.

The Devils take place in the gorgeous setting of 17th-century France. Father Grandier (Oliver Reed) is a priest whose heretical views on sex and religion influence a passionate following of sexually-obsessed nuns. The power-hungry Cardinal Richelieu (Christopher Logue) realizes he must eliminate Grandier to gain control of France, though. And so Richelieu portrays the priest as a Satanist to spread public outcry and ruin his beloved reputation.

The Devils is simply a landmark in cinema, even with its NC-17 rating. The film is based on actual historical events surrounding Urbain Grandier, who was executed. The movie was heavily edited before its release, though, removing graphic scenes that mixed sex and violence with Christian rituals and religious objects.

13

‘Man Bites Dog’ (1992)

Ben (Benoît Poelvoorde) holds a finger to his lips to silence viewers in 'Man Bites Dog'.
Ben (Benoît Poelvoorde) holds a finger to his lips to silence viewers in ‘Man Bites Dog’.
Image via Roxie Releasing

In this great black comedy mockumentary, the activities of a rampaging serial killer named Ben (Benoît Poelvoorde) are recorded by a willingly complicit documentary team. As Ben provides commentary on the nature of his “work,” the team eventually becomes his accomplices and active participants in his crimes.

There is no real way to describe why Man Bites Dog was given an NC-17 rating without going into detail about the horrifically graphic violence presented in the film. But critics also acknowledge its smart and thought-provoking messages, like how a morally gray journalist’s obligation to be “objective” might trump the natural human impulse to intervene in a terrible situation.

12

‘Bad Lieutenant’ (1992)

Harvey Keitel sitting at a bar looking miserable in 'Bad Lieutenent.'
Harvey Keitel sitting at a bar looking miserable in ‘Bad Lieutenent.’
Image via Aries Films

It is no surprise that Harvey Keitel’s crime thriller was the first movie ever to get struck with the NC-17 rating after the MPAA included it. The movie is filled with sexual violence, graphic dialogue, and drug use. Hollywood is filled with numerous cop movies, but Abel Ferrara‘s foray into the genre doesn’t once come up for air while studying a man in the thrall of some of humanity’s worst impulses.

The movie follows the Lieutenant, a corrupt cop steeped in debt who exploits his authority to sexually harass teenage girls, abuse drugs, and embezzle money. His life of troubles comes to a head when the mob tells him to pay off his debts, or else. The Lieutenant learns of a reward for catching two men who assaulted a nun, and he jumps at the opportunity for the money.

11

‘Shame’ (2011)

Michael Fassbender as Brandon and Carey Mulligan as Sissy sit on a couch and look at each other in 'Shame.'
Michael Fassbender as Brandon and Carey Mulligan as Sissy sit on a couch and look at each other in ‘Shame.’
Image via Fox Searchlight

Shame was a career-defining role for Michael Fassbender for a multitude of reasons—his superb acting talent, his unmatched onscreen presence, enough charisma and terror to bring even the strongest to their knees, and, of course, full-frontal nudity. The latter of which helped gain this movie an NC-17 rating.

The wild classic movie earned the rating because of its very explicit sexual content, which is fair. There is a lot of direct sexual matter as Shame follows a successful and handsome New Yorker, Brandon. He seems to live an ordinary life, but underneath it all, he hides the secret of being a sex addict. His constant need for gratification begins to numb him to everything in his life.































































Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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https://collider.com/best-nc-17-movies-all-time-ranked/


Hannah Saab
Almontather Rassoul

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